Joseph Cotten plays an artist, Eben
Adams, who is unable to bring any true feeling to his work. While painting
in Central Park one morning, Adams makes the acquaintance of a schoolgirl named
Jennie (Jennifer Jones), who prattles on about
things that happened years ago. Intrigued at her thorough knowledge of the past,
Adams is about to converse with her further, but Jennie has vanished. Over the
next few months Adams meets Jennie again and again -- and each time she seems to
have aged by several years. He paints her portrait, which turns out to be more
full of expression and emotion than anything he's previously done. His curiosity
piqued by Jennie's enigmatic nature, Adams uncovers evidence that he has been
conversing -- and falling in love -- with the ghost of a girl who died years
earlier in a hurricane. On the eve of the hurricane's anniversary, Adams rushes
to meet Jennie at the site where she was supposedly killed. As a new storm
rages, Jennie vanishes for good, but not before declaring that the love she and
Adams have shared will live forever. Rescued from the storm, Adams convinces
himself that Jennie was a mere figment of his imagination. Then he notices that
he stills clutches her scarf in his hand. He looks at his portrait of Jennie
(the only Technicolor shot in this otherwise black-and-white film) and
understands what she meant when she said that their love would endure throughout
eternity: it will do so through Adams' art, both the portrait at hand and all
future portraits. Based on the novel by Robert Nathan, "Portrait of Jennie" is one of the most
beautifully assembled fantasies ever presented on screen. Producer David O. Selznick's unerring eye for
"rightness" enabled him to select the perfect stars, supporting cast (Lillian Gish, Ethel Barrymore, David Wayne, Cecil Kellaway), director,
cinematographer (Joseph August) and composer (Dmitri Tiomkin, who based his themes on
the works of Debussy), and blend everything into one
ideally balanced package. ~ Hal Erickson, All Movie Guide