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House of Frankenstein

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NR,1hr 11min
Genre:
Released:
January 1, 1944
Distributor:
Realart Pictures Inc.
Synopsis
In many ways the most endearing of Universal's B-grade "monster rallies" of the 1940s, House of Frankenstein manages within its 70-minute time span to make room for Frankenstein's monster (Glenn Strange), Dracula (John Carradine) the Wolf Man (Lon Chaney Jr.), and a couple of new recruits, mad scientist Boris Karloff and demented hunchback J. Carroll Naish. Escaping from prison, Karloff vows to continue his diabolical efforts to emulate Dr. Frankenstein's "eternal life" experiments; he also swears vengeance on the three men (Sig Ruman, Frank Reicher and Michael Mark) who were responsible for sending him to prison. With the help of fellow escapee Naish, Karloff murders a travelling-carnival impresario (George Zucco) and assumes his identity. He travels first to the village where Ruman is burgomaster. Since his carnival is a "chamber of horrors", Karloff utilizes one of those horrors--Count Dracula--to settle his account with Ruman. Dracula does so, but dies when the first rays of sunlight stream across his body. En route to the next village, Naish gives shelter to runaway gypsy girl Elena Verdugo, who joins the caravan (though she remains incredibly naive concerning Karloff's intentions!) Coming to the village when the Frankenstein monster and the Wolfman were presumably drowned at the end of Frankenstein Meets the Wolfman (1944), Karloff revives the latter, who when he's not baying at the moon is the comparatively good-looking Lawrence Talbot. Karloff secures Talbot's cooperation by promising to perform some brain surgery that will relieve him of his lycanthropy. Later on, Karloff kidnaps and kills his other enemies Mark and Reicher, intending to use their brains to cure Talbot and to reactivate the Frankenstein monster. Jealous of Verdugo's attentions towards Talbot, Naish rebels against Karloff, and is killed for his troubles. Talbot turns into the Wolfman, whereupon Verdugo kills him before expiring herself. And Karloff, rendered immobile by the requisite attack of angry villagers, is dragged by the lumbering Monster into a pit of quicksand. Thus House of Frankenstein has something in common with Hamlet: No one is left alive at fade-out time. It's to scenarist Robert Siodmak's credit that he was able to fashion a coherent screenplay out of the crazy-quilt of copyrighted horror characters handed to him by Universal Pictures. ~ Hal Erickson, Rovi
Series Information
Frankenstein
Released:
Nov 21, 1931
Still regarded as the definitive film version of Mary Shelley's classic...
The Bride of Frankenstein
Released:
Jan 01, 1935
This greatest of all Frankenstein movies begins during a raging...
Son of Frankenstein
Released:
Jan 01, 1939
The most elaborate--and longest--of Universal's "Frankenstein" series, "Son...
Frankenstein Meets the Wolfman
Release:
1942
The fifth film in Universal's "Frankenstein" series goes for the box-office...
The Ghost of Frankenstein
Released:
Jan 01, 1942
Universal's "Frankenstein" series descended from the "A" to the "B"...
House of Frankenstein
Released:
Jan 01, 1944
In many ways the most endearing of Universal's B-grade "monster rallies" of...
House of Dracula
Release:
1945
This Universal "monster rally", an immediate sequel to "House of...
Abbott and Costello Meet Frankenstein
Released:
Jan 01, 1948
It seems that Count Dracula ("Bela Lugosi"), in league with a beautiful but...
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