the Shyamalan cottage industry, in which the selling
point for his increasingly dumb, insulting, reactionary, childish (not the same
as childlike) movies (umm ... "Unbreakable," "Signs," "The Village," "Lady in the Water" -- that's four for four, y'all)
was the "auteur" himself, and his magical spooky fairy tales of cinema. April
Fool! He's a disaster! Every time a studio trots him out like he's a modern day
Hitchcock/Spielberg/Lucas figure, instead of a poor filmmaker with a shrinking
bag of tricks, the hype becomes more implausible, and the sound of retreat is
louder and louder. (Warner Bros. / Buena Vista)
What movie fooled you the most? Are you still angry? Write us at heymsn@microsoft.com
Sound off: Comment on this story | Also: Features archive
Sean Nelson is a Seattle-based writer and musician. He is the author of
"Court and Spark," a book about Joni Mitchell, published by Continuum Books.
Close