The film says that the U.S. immigrant situation is untenable, but then it forces US to ask: What should be done?Read Full Review »
80
Washington Post: Ann Hornaday
Thanks to the uncommonly shrewd judgment of screenwriter Ligiah Villalobos and director Patricia Riggen, both newcomers, the film never feels like rank exploitation, even as it steadily aims for the emotional jugular.Read Full Review »
75
USA Today: Claudia Puig
A powerful and evocative account of the efforts undertaken to forge a perilous mother-and-child reunion. Told in Spanish with English subtitles, it is a moving tale of yearning, as well as unflagging courage and determination.Read Full Review »
75
ReelViews: James Berardinelli
The strong final third counterbalances the weaknesses of the first half. I prefer films that build to something worthwhile rather than collapse short of the finish line.Read Full Review »
75
Boston Globe: Ty Burr
The result is a genuinely cathartic night at the movies - which is one of the reasons we go to them in the first place. Art it ain't, but popcorn is rarely this skilled or seductive.Read Full Review »
This largely Spanish-language film brings on the waterworks because its core story is undeniably affecting. The whole movie, however, would be more convincing if the elements around that vital core were more multidimensional and less contrived.Read Full Review »
40
The New York Times: Jeannette Catsoulis
This is screenwriting by numbers. Unlike, say, Ken Loach’s marvelous “Bread and Roses,” Under the Same Moon is too busy sanctifying its protagonists and prodding our tear ducts to say anything remotely novel about immigration policies or their helpless victims.Read Full Review »
40
Village Voice: Michelle Orange
The duo's travels never gain a traction of their own, and the film's destination feels overdetermined despite its sweetness.Read Full Review »