The movie is forever digressing so that Mr. Yankovic can offer media spoofs that have only the most tangential relation to the story. [22 Jul 1989, p.1.15]
The movie is forever digressing so that Mr. Yankovic can offer media spoofs that have only the most tangential relation to the story. [22 Jul 1989, p.1.15]
Yankovic fails to come up with anything new to freshen the stock storyline, and is content instead to let it serve as a creaky showcase for his forte, media parodies. But even the quality of these parodies is inconsistent, with the movie and music takeoffs being obvious and out of date.
Yankovic, an advocate of the Monty Python and Mel Brooks schools of comedy, favors yechy burlesque, and UHF, with its scant plot, is basically a variety show with skits, sight gags and gross stuff. "Weird" reminds us there's nothing quite like a good booger joke for pure entertainment.
Yankovic, an advocate of the Monty Python and Mel Brooks schools of comedy, favors yechy burlesque, and UHF, with its scant plot, is basically a variety show with skits, sight gags and gross stuff. "Weird" reminds us there's nothing quite like a good booger joke for pure entertainment.
UHF is not a uniformly funny experience, unless you have to wear a bib and tend to laugh at anything, such as sudden gusts of wind. Yankovic, co-writing with manager Jay Levey (who also directed), goes for gag after gag. Some hit, some miss. You laugh, you cry.
UHF is not a uniformly funny experience, unless you have to wear a bib and tend to laugh at anything, such as sudden gusts of wind. Yankovic, co-writing with manager Jay Levey (who also directed), goes for gag after gag. Some hit, some miss. You laugh, you cry.
UHF, a parody of trash television, is almost defiantly silly, but when it's funny it is very funny. This sloppy, good-natured satire certainly doesn't threaten "Network's" status as the classic decimation of the television business. [27 Jul 1989, p.1]
