The performances, culled from seven shows on the “Vertigo” tour from Mexico City to Buenos Aires, burn with the old unforgettable fire.Read Full Review »
100
The New York Times: Matt Zoller Seitz
Not merely a technical landmark -- shot entirely in digital 3D -- but also an aesthetic one, in that it’s the first Imax movie that deserves to be called a work of art.Read Full Review »
100
USA Today: Edna Gundersen
In many ways delivers an experience that's even better than the real thing. It brings U2's dazzling rock spectacle to the multiplex with VIP comforts, all-access viewpoints and telescopic close-ups.Read Full Review »
91
ENTERTAINMENT WEEKLY: Owen Gleiberman
The 3-D visuals envelop you, majestically, and that effect fuses with the band's surround-sound rapture to create a full-scale sensory high. U2 3D makes you feel stoned on movies.Read Full Review »
88
Boston Globe: Sarah Rodman
They may not be as cool as Bono's fly shades, but the plastic yellow glasses required for viewing U23D supply an amazing fly-on-the-amp view of the Irish rockers in their natural habitat.Read Full Review »
80
Washington Post: Desson Thomson
In many ways, watching the movie is BETTER than concertgoing. We can enjoy that buzzy feeling of community without the fist-pumping biker obscuring our view.Read Full Review »
80
LOS ANGELES TIMES: Ann Powers
For this longtime U2 fan, the U2 3D experience wasn't quite sensual enough, but to quote another Bono lyric, others may find it "even better than the real thing."Read Full Review »
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