They has a low-budget, generic feel -- but also enough sense to know that unseen menace is a lot creepier than explicit gore.Read Full Review »
50
The New York Times: Dana Stevens
Sensation, not sense, is the point of this exercise, and what it lacks in originality it makes up for in effective if cheap moments of fright and dread.Read Full Review »
They never generates any real fear until its last minutes, by which time it is too late to redeem the dull events that preceded them.Read Full Review »
16
ENTERTAINMENT WEEKLY: Owen Gleiberman
The hilarious diminuendo of that title is such that the movie might as well have been called ''Wes Craven Presents: Not a Hell of a Lot.''Read Full Review »
12
Boston Globe: Wesley Morris
At some point, I just tired of looking at all the nicely composed shots unworthy of the stock they're printed on. Lives are at stake here, and I don't mean Julia's and her annoying pals'. I mean the lives of you and me, the only pronouns that really matter here.Read Full Review »
Hotmail
