A satisfying contraption of twists, missteps, and blithe repartee that produces old-fashioned, honestly earned guffaws.Read Full Review »
90
LOS ANGELES TIMES: Kenneth Turan
A complete master of cinematic farce, Veber's latest venture, The Valet, makes creating deliciously funny comedy look a lot easier than it has any right to.Read Full Review »
80
The New York Times: Stephen Holden
If you love to hate the superrich, The Valet, a delectable comedy in which the great French actor Daniel Auteuil portrays a piggy billionaire industrialist facing his comeuppance, is a sinfully delicious bonbon.Read Full Review »
80
Washington Post: Ann Hornaday
Kristin Scott Thomas delivers an unnervingly smooth performance as Auteuil's suspicious wife.Read Full Review »
70
Village Voice: Robert Wilonsky
Of all of Francis Veber's farces (The Dinner Game, La Cage Aux Folles, etc.), this is the one that feels most like a sitcom pilot, which is to say it's a farce most forced.Read Full Review »
63
Boston Globe: Ty Burr
The new movie is tart and weightless, and it entertains without leaving a mark. Not that there's anything wrong with that, but at 85 minutes, The Valet at times feels like a blueprint for a farce rather than the farce itself.Read Full Review »
63
Philadelphia Inquirer: Steven Rea
This mildly amusing tale of infidelity, blackmail, class differences and corporate greed not only strains credulity - it strains for laughs.Read Full Review »
60
Salon.com: Andrew O'Hehir
A sunny, cheerful, thoroughly artificial concoction, going nowhere with no particular speed. Still, better than your average airplane movie.Read Full Review »