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The Piano

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Critics' Reviews

100
The New York Times: Vincent Canby

Prepare yourself for something very special...Here's a severely beautiful, mysterious movie that, as if by magic, liberates the romantic imagination. [16 Oct 1993]

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100
WALL STREET JOURNAL: Julie Salamon

With its breathtaking visual style and careful attention to sound and movement, the movie provokes contemplation about the ways people communicate – through words, through music, through sex, and, most significantly, through touch. [14 Dec 1993, p.A14(E)]

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100
Washington Post: 

Seems less like a fictional story than a tour through Freud's forgotten files.

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100
SAN FRANCISCO CHRONICLE: Mick LaSalle

Powerful and outrageous.

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100
Washington Post: 

The Piano is dark, sublime music, and after it's over, you won't be able to get it out of your head.

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100
The New York Times: Vincent Canby

Prepare yourself for something very special...Here's a severely beautiful, mysterious movie that, as if by magic, liberates the romantic imagination. [16 Oct 1993]

Read Full Review »
100
CHICAGO SUN-TIMES: Roger Ebert

It is one of those rare movies that is not just about a story, or some characters, but about a whole universe of feeling.

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100
SAN FRANCISCO CHRONICLE: Edward Guthmann

Magical and haunting, The Piano has the power and delicate mystery of a gothic fairy tale. [19 Nov 1993]

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100
Washington Post: Hal Hinson

The Piano is dark, sublime music, and after it's over, you won't be able to get it out of your head.

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100
USA Today: Mike Clark

Campion's script is very well received, but the film finally makes it on cinematics: bleakly beautiful photography, haunting score, and good acting. [12 Nov 1993]

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See all The Piano reviews at metacritic.com »
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