Lures us in with extraordinary subtlety. Keeping sound effects and incidental music to a relative minimum, it builds its suspense almost subliminally. So when something scary or shocking does occur -- deprived of those Hollywood-style cues -- we are truly startled.Read Full Review »
90
NewsWeek: David Ansen
A great horror movie is like a good shrink--and a lot cheaper, too. It purges us through petrification. That horror movie, thankfully, has arrived. It's called The Orphanage," and it is seriously scary.Read Full Review »
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CHICAGO SUN-TIMES: Roger Ebert
Deliberately aimed at viewers with developed attention spans. It lingers to create atmosphere, a sense of place, a sympathy with the characters, instead of rushing into cheap thrills.Read Full Review »
75
ReelViews: James Berardinelli
For those who enjoy ghost stories and are willing to be patient with a movie that gradually unveils its secrets rather than uncovering them all in an orgy of violence and terror, The Orphanage fills a need. The spell it casts early does not evaporate until the epilogue is finished.Read Full Review »
75
Philadelphia Inquirer: Steven Rea
Bayona's moves are deft, the atmosphere oozes with anxiety and grief, but the big payoff - like the big payoff in The Sixth Sense, another film The Orphanage has more than a bit in common with - never comes.Read Full Review »
75
USA Today: Claudia Puig
In a season filled with dark-themed films, it stands out as an elegantly mounted, surprisingly humane but terrifying horror thriller well worth seeing.Read Full Review »
75
Boston Globe: Ty Burr
The Orphanage gets by on mood and a mournfulness that's not easily soothed. Sadness and loss, it says, are the threads connecting the spirit world and our own, and women, who bring life into the world, understand that far better than men ever will.Read Full Review »
75
ENTERTAINMENT WEEKLY: Lisa Schwarzbaum
You're either in the mood to go along with the puzzle pieces or you're not. I'm not usually a puzzle-piece fan myself, not when it's clear that the filmmaker rigs the moves. But I couldn't help but fall for the repurposed real estate, and cheer for the lady strong enough to break through walls when she senses a child is waiting.Read Full Review »
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Salon.com: Andrew O'Hehir
The Orphanage is a careful, elegant work that looks a little rough around the edges; it was shot largely with natural light and employs minimal special effects.Read Full Review »