The movie unravels pretty quickly as Caleo almost immediately gives away the "what" but remains marginally entertaining as he manages to maintain some suspense in the "why" and the "how" before blowing the genre completely by going soft in the resolution.Read Full Review »
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The New York Times: Jeannette Catsoulis
A Michael Keaton outing is always cause for celebration, no matter how ramshackle the vehicle ("First Daughter," anyone?) or paper-thin the role.Read Full Review »
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Village Voice: Aaron Hillis
Beyond his technical clumsiness, Caleo seems convinced that real men exert power by being A-type jerks and all women are sluts. If nothing else, this film serves as a troubling psychological profile of a filmmaker who feels scornfully cynical toward nothing in particular.Read Full Review »
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