The Kingdom

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Critics' Reviews

Metascore
®
56
Mixed or Average Reviews
out of 100
'Kingdom' a Mixed Success
By John Anderson, Variety.com

Shouldn't terrorism be treated as crime — that is, as a civil rather than military matter? It's a question that's at the heart of the Iraq War debate, and it's one raised loudly and clearly by "The Kingdom," a realist thriller that mixes crowd-pleasing mayhem with provocative politics. Although burdened by far more procedure than plot, this Jamie Foxx vehicle — which owes a great deal to the high-caliber style of its co-producer, Michael Mann — is quietly jingoistic, in a way guaranteed to sell audiences on the idea that what's truly American is about more than disputed foreign policy. ... More on Variety.com

Copyright 2007 Variety, Inc. All rights reserved.

Shouldn't terrorism be treated as crime — that is, as a civil rather than military matter? It's a question that's at the heart of the Iraq War debate, and it's one raised loudly and clearly by "The Kingdom," a realist thriller that mixes crowd-pleasing mayhem with provocative politics. Although burdened by far more procedure than plot, this Jamie Foxx vehicle — which owes a great deal to the high-caliber style of its co-producer, Michael Mann — is quietly jingoistic, in a way guaranteed to sell audiences on the idea that what's truly American is about more than disputed foreign policy. ... More on Variety.com

Copyright 2007 Variety, Inc. All rights reserved.

75
ReelViews: James Berardinelli
Overall, the film is smart and engaging, and if it plays a little on our fears of the next big terrorist attack, it does so without feeling exploitative.Read Full Review »
75
ROLLING STONE: Peter Travers
Matthew Michael Carnahan's caffeinated script isn't much concerned with balance, but it gets some anyway, from the resonant images of culture clash that Berg catches on the fly and a remarkable performance from Ashraf Barhom.Read Full Review »
70
Salon.com: Stephanie Zacharek
The Kingdom is distasteful in several obvious and irrefutable ways: For one thing, the idea of setting an action-thriller against terrorist activity that's all too close to real-life events is simply opportunistic and creepy.Read Full Review »
70
NewsWeek: David Ansen
As a genre movie, The Kingdom delivers atmosphere, heroic American derring-do and some decent thrills, though director Peter Berg's approximation of a jerky documentary style suffers from its proximity to the more textured "Bourne Ultimatum."Read Full Review »
70
The New York Times: A.O. Scott
The result is a slick, brutishly effective genre movie: “Syriana” for dummies. Which is not entirely a put-down.Read Full Review »
70
Time: Richard Corliss
Director Peter Berg cannily hypes the tension and the sentiment in the only one of the current Middle East political movies designed to appeal to the action crowd. Hard truths are absorbed while stuff blows up.Read Full Review »
70
Village Voice: J. Hoberman
A timely--if tepid--fantasy of American vengeance on the Qutbian extremists of Saudi Arabia.Read Full Review »
63
Philadelphia Inquirer: Carrie Rickey
Ultimately, this jingo-bingo action thriller squarely hits its target, then delivers a delayed-action message contrary to everything that has preceded it. Berg heroizes the plucky Americans, but in the closing scenes of his ripping action flick, sucker-punches them. It's as if this populist Syriana frags itself.Read Full Review »
63
USA Today: Claudia Puig
Director Peter Berg's frenetic style heightens tension and a sense of disorientation. But some will find its chaotic quality dizzying and off-putting.Read Full Review »
63
Boston Globe: Ty Burr
The movie ends on a plaintive can’t-we-all-get-along note, but at heart it’s a Charles Bronson flick. It mashes the revenge button the real world won’t let us push.Read Full Review »
See all The Kingdom reviews at metacritic.com »