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The Fan

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Critics' Reviews

75
ENTERTAINMENT WEEKLY: Owen Gleiberman
There's no denying that Scott is a wizard of the narcotic-flash school. In The Fan, he uses his chromium-edged technique to evoke a dread-saturated consumerist America in which the most beloved institutions have grown mercenary and hard.Read Full Review »
50
Boston Globe: Jay Carr
The Fan isn't a strikeout, but it doesn't exactly knock the cover off the ball, either. It's more like a soft pop fly, taking its time before settling very predictably into a waiting fielder's glove. [16 Aug 1996, p.D3]Read Full Review »
30
Washington Post: Rita Kempley
This preposterous stalker flick, in fact, has less to do with America's favorite pastime or Gil's psychosis than with Hollywood's own obsession with blood sport. And for all British director Tony Scott knows about baseball, the thing might as well have been set in a cabbage patch.Read Full Review »
30
The New York Times: Stephen Holden
The film's elegantly tricky cinematography and ominous, pounding score by Hans Zimmer (provocatively juxtaposed with the Rolling Stones), only underline the emptiness behind its technical flash.Read Full Review »
25
ReelViews: James Berardinelli
Aside from Snipes' well-tuned performance and a few clever scenes detailing superstar marketing, this picture is a veritable wasteland. Even watching the horror show that the real Giants have become during the 1996 season is more fun than this. The advertising slogan may be "fear strikes soon", but, when it comes to The Fan, fear, like the movie, strikes out.Read Full Review »
25
CHICAGO SUN-TIMES: Dave Hoekstra
The Fan would have worked better had it dissected the mechanics that shape celebrity adulation. Instead, The Fan takes a knife-wielding action route that leaves film fans feeling - dare I suggest it - cheated? [16 Aug 1996, p.35]Read Full Review »
20
Time: Richard Schickel
De Niro's performance begins to seem more a matter of well-practiced gestures than real conviction, and the long, silly finale more an exercise in empty panache by director Tony Scott than a truly gripping suspense piece involving people we care about. [26 August 1996, p.61]Read Full Review »
10
LOS ANGELES TIMES: Kenneth Turan
Even in thriller terms, nothing rings remotely true here, with even the baseball action--including a game that is not called despite enough rain to unnerve Noah--laced with a heavy dose of preposterousness.Read Full Review »
See all The Fan reviews at metacritic.com »