Masterson, like many actors, is an assured director even in her debut; working with her brother Pete as cinematographer, she creates a spell and a tenderness and pushes exactly as far as this story should go.Read Full Review »
60
The New York Times: Stephen Holden
Superior acting elevates a small, overcrowded ensemble piece set in rural upstate New York into something a little deeper and truer than the mawkish disease-of-the-week movie it threatens to become.Read Full Review »
60
Village Voice: Aaron Hillis
There's no kind of wonderful in Mary Stuart Masterson's directorial debut, yet however slight her ensemble drama--about two distressed families in the Rockwellian framings of time-forgotten rural America--maybe, it's at least convincing in its genuine sweetness.Read Full Review »
50
LOS ANGELES TIMES: Gary Goldstein
A bland ensemble drama with an unremarkable script that somehow inspired actress Mary Stuart Masterson to make her feature-directing debut. The material doesn't serve her well -- and vice versa.Read Full Review »
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