Puts the fun back into going to Arnold Schwarzenegger movies. He said he'd be back, and he is.Read Full Review »
75
CHICAGO SUN-TIMES: Roger Ebert
A well-crafted entertainment containing enough ideas to qualify it as science fiction and not just as a futurist thriller.Read Full Review »
70
Slate: David Edelstein
A fun ride. It's loud and obvious, but it's also the first high-tech, sci-fi thriller to think through some of the implications of cloning and capitalism.Read Full Review »
67
ENTERTAINMENT WEEKLY: Owen Gleiberman
A bit of a clone itself, but it's got a crackerjack helicopter chase, a semblance of a script, and a sotto voce performance by Robert Duvall as a biotech genius who murmurs sweet nothings to his dying cloned wife.Read Full Review »
50
Philadelphia Inquirer: Desmond Ryan
There's no doubt that the formula for this kind of action film is showing its age.Read Full Review »
50
USA Today: Susan Wloszczyna
Edited like the world's most expensive car ad. The screen opens and closes like a nervous accordion, and the action shifts speeds like crazy.Read Full Review »
50
The New York Times: A.O. Scott
Plays like something picked up at a vintage store; you can see all the greasy fingerprints from those who have handled it before.Read Full Review »
40
ROLLING STONE: Peter Travers
Offers action in the Arnold Schwarzenegger style. Well, not right away.Read Full Review »
40
LOS ANGELES TIMES: Kenneth Turan
From its standard-issue action to its halfhearted dialogue and acting, that's one situation even two Schwarzeneggers aren't enough to solve.Read Full Review »
30
Washington Post: Dan Via
Neither smart nor exciting enough to justify the effort.Read Full Review »
Hotmail
