Abounds in psychological suspense and plays like a mystery film, even though the mystery at hand may be purely one of the human heart.Read Full Review »
88
Boston Globe: Loren King
Has extraordinary depth and insight about the limitations and follies of human beings.Read Full Review »
75
ENTERTAINMENT WEEKLY: Owen Gleiberman
Jonathan Nossiter's second feature (after the intricate and haunting ''Sunday'') strikes unnerving chords of mystery and dismay as it fuses the sinister, jump cut dislocations of a metaphysical thriller like ''Don't Look Now'' with a pain soaked meditation on love, guilt, marriage, and adultery.Read Full Review »
75
CHICAGO SUN-TIMES: Roger Ebert
As a drama about the ravages of mental illness, the movie works; too bad most of the critics read it only as a romantic soap opera in which the hero is an obsessive sap. They read the signs but miss the diagnosis.Read Full Review »
63
Philadelphia Inquirer: Steven Rea
Skarsgard's performance is bold and raw (and reminiscent of vintage Jack Lemmon in its earnestness).Read Full Review »
50
Village Voice: Michael Atkinson
Pretension looms, and for many the web of symbolism will be too thick. But Rampling, to her credit, helps hold the nuthouse together.Read Full Review »
30
The New York Times: A.O. Scott
Filled with voyeuristic shots as the camera peers through picket fences and windows and around corners; the film looks as if it were shot with a surveillance camera from a 7-ElevenRead Full Review »
Hotmail
