She's the Man

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Critics' Reviews

Metascore
®
45
Mixed or Average Reviews
out of 100
'She's the Man' Has Funny Moments
By Christy Lemire, Associated Press

"She's the Man" is a high-school update of "Twelfth Night" in which the pretty-boy jock recites Shakespeare's famous lines — "Some are born great, some achieve greatness, and some have greatness thrust upon them" — in the middle of the biggest soccer game of the year, of all places.

(Yes, he's very sensitive and thoughtful beneath that dim, chiseled exterior.)

Lofty source material indeed, and just the latest in a series of teenage twists on the Bard, following "10 Things I Hate About You," which was based on "The Taming of the Shrew," and "O," based on "Othello."

But what this wacky gender-bending comedy resembles even more closely is "Just One of the Guys" from 1985, in which a high-school hottie goes undercover as a boy to win a big journalism contest and prove that pretty girls have brains, too. It was one of those throwaway movies that you'd nonetheless find yourself compelled to watch whenever it came on cable, and was notable only for the presence of perennial '80s-movie villain Billy Zabka.

Here, Amanda Bynes takes over for Joyce Hyser (Who? Exactly.) when her character, Viola, pretends to be her twin brother, Sebastian, in order to play soccer at Illyria Prep. The premise essentially sets up a series of uncomfortable moments in which Viola-as-Sebastian tries to avoid undressing in front of other people.

Bynes is likable enough, though, to carry it off, even though her version of masculinity is sort of cringe-inducing in its twitchiness. Her bowl-cut wig accentuates her gigantic eyes and chipmunk teeth, and her boy-speak comes out as a sporadic Southern twang mixed with surfer-dude droppings like, "You know it, brah."

It's not exactly Felicity Huffman in "Transamerica" — but then again, it's not trying to be. That much is clear from the shrill, frantic nature of Andy Fickman's direction, and his frequent reliance on the montage (for Viola's makeover, for her soccer training, etc.).

There is one particularly well-orchestrated scene, though, in which Viola and her effeminate stylist pal Paul (Jonathan Sadowski) conspire to have all their pretty female friends fawn over "Sebastian" to make him look like a stud at the pizza parlor in front of the guys who think he's a geek.

Viola naturally falls for one of them — her roommate and teammate, Duke Orsino (Channing Tatum) — who has a crush on the beautiful blond Olivia (Laura Ramsey), who secretly likes (you guessed it) Sebastian. All the obligatory misunderstandings and cases of mistaken identity ensue.

David Cross is wonderfully weird as always playing the school's headmaster, and Julie Hagerty as usual plays the ditzy mom who wants nothing more than for Viola to be a ladylike debutante.

Bynes obviously has an innate gift for physical comedy, and at age 19 already has honed her timing over years of television work ("All That," "The Amanda Show," "What I Like About You") — which is precisely what makes you want to see her end up in the movies with someone who's her equal in terms of wit and spark.

As in Bynes' 2003 film "What a Girl Wants," "She's the Man" wraps her up in a tidy romantic-comedy package with a generically non-threatening piece of Teen Beat eye candy. What her characters should want  — what they deserve  — is a real man on every level.

"She's the Man" is a high-school update of "Twelfth Night" in which the pretty-boy jock recites Shakespeare's famous lines — "Some are born great, some achieve greatness, and some have greatness thrust upon them" — in the middle of the biggest soccer game of the year, of all places.

(Yes, he's very sensitive and thoughtful beneath that dim, chiseled exterior.)

Lofty source material indeed, and just the latest in a series of teenage twists on the Bard, following "10 Things I Hate About You," which was based on "The Taming of the Shrew," and "O," based on "Othello."

But what this wacky gender-bending comedy resembles even more closely is "Just One of the Guys" from 1985, in which a high-school hottie goes undercover as a boy to win a big journalism contest and prove that pretty girls have brains, too. It was one of those throwaway movies that you'd nonetheless find yourself compelled to watch whenever it came on cable, and was notable only for the presence of perennial '80s-movie villain Billy Zabka.

Here, Amanda Bynes takes over for Joyce Hyser (Who? Exactly.) when her character, Viola, pretends to be her twin brother, Sebastian, in order to play soccer at Illyria Prep. The premise essentially sets up a series of uncomfortable moments in which Viola-as-Sebastian tries to avoid undressing in front of other people.

Bynes is likable enough, though, to carry it off, even though her version of masculinity is sort of cringe-inducing in its twitchiness. Her bowl-cut wig accentuates her gigantic eyes and chipmunk teeth, and her boy-speak comes out as a sporadic Southern twang mixed with surfer-dude droppings like, "You know it, brah."

It's not exactly Felicity Huffman in "Transamerica" — but then again, it's not trying to be. That much is clear from the shrill, frantic nature of Andy Fickman's direction, and his frequent reliance on the montage (for Viola's makeover, for her soccer training, etc.).

There is one particularly well-orchestrated scene, though, in which Viola and her effeminate stylist pal Paul (Jonathan Sadowski) conspire to have all their pretty female friends fawn over "Sebastian" to make him look like a stud at the pizza parlor in front of the guys who think he's a geek.

Viola naturally falls for one of them — her roommate and teammate, Duke Orsino (Channing Tatum) — who has a crush on the beautiful blond Olivia (Laura Ramsey), who secretly likes (you guessed it) Sebastian. All the obligatory misunderstandings and cases of mistaken identity ensue.

David Cross is wonderfully weird as always playing the school's headmaster, and Julie Hagerty as usual plays the ditzy mom who wants nothing more than for Viola to be a ladylike debutante.

Bynes obviously has an innate gift for physical comedy, and at age 19 already has honed her timing over years of television work ("All That," "The Amanda Show," "What I Like About You") — which is precisely what makes you want to see her end up in the movies with someone who's her equal in terms of wit and spark.

As in Bynes' 2003 film "What a Girl Wants," "She's the Man" wraps her up in a tidy romantic-comedy package with a generically non-threatening piece of Teen Beat eye candy. What her characters should want  — what they deserve  — is a real man on every level.

75
CHICAGO SUN-TIMES: Roger Ebert
Of Amanda Bynes let us say that she is sunny and plucky and somehow finds a way to play her impossible role without clearing her throat more than six or eight times.Read Full Review »
75
Boston Globe: Wesley Morris
A screwball comedy that made me wish I were 13 again, because this is precisely the kind of movie I would have gone nuts for in the ninth grade.Read Full Review »
75
Philadelphia Inquirer: Carrie Rickey
In this it succeeds. Like the Bard said, better witty foolishness than foolish wit.Read Full Review »
75
USA Today: Claudia Puig
This is a perfectly pleasant, entertaining and often witty romp with engaging performances.Read Full Review »
70
LOS ANGELES TIMES: Carina Chocano
So good-natured, and its cast seems to enjoy itself so thoroughly, that the total annihilation of disbelief it requires winds up feeling like a reasonable enough request.Read Full Review »
50
Village Voice: Jordan Harper
Doesn't have an unpredictable moment in it, borrowing heavily from just about every sports movie or teen comedy ever and, oh yeah, "Twelfth Night."Read Full Review »
50
ENTERTAINMENT WEEKLY: Owen Gleiberman
As an actress, Bynes is wholesome to a fault. She impersonates a teenage boy yet never gives him one good dirty thought.Read Full Review »
50
Washington Post: Desson Thomson
Another gate-crasher at the let's-do-a-mediocre-update-of-Shakespeare party.Read Full Review »
50
ReelViews: James Berardinelli
Neither smart enough nor funny enough to have cross-over appeal to any other demographic.Read Full Review »
30
The New York Times: Nathan Lee
Everything projects as if for the benefit of a nearsighted and dimwitted ticket holder at the back of the room. To his credit, Mr. Fickman has mastered one device unique to the cinema, making repeated use of the corny training montage.Read Full Review »
See all She's the Man reviews at metacritic.com »