The true, rare glamour of the piece is its revival of two precious movie tropes: the flourishing of words for their majesty and fun, and--in the love play between Fiennes and his enchantress--the kindling of a playfully adult eroticism.
The richest and most satisfying romantic movie of the year. It's really about two great loves at once -- the love of life and of art -- and the way that Shakespeare, like no writer before him, transformed the one into the other.
Paltrow and Fiennes are so good and the script, referencing not only "Romeo and Juliet" but "Twelfth Night," is so consistently intelligent that seduction is inevitable.
Some scholars may scowl, some lowbrows may scoff. But, like wordwise Will, these filmmakers know how to win a crowd -- from the queen down to the groundlings, from the sky above to the stage below. Bravo! [5 December 1998, Friday, p.A]
Paltrow and Fiennes are so good and the script, referencing not only "Romeo and Juliet" but "Twelfth Night," is so consistently intelligent that seduction is inevitable.