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Resident Evil

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Critics' Reviews

63
CHICAGO TRIBUNE: Robert K. Elder

One of the few video game movies to truly re-create the gaming experience -- from the three-dimensional maps to the structure of encountering increasingly grisly and dangerous foes at higher levels of play.

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58
ENTERTAINMENT WEEKLY: Owen Gleiberman

A splattery futuristic zombie thriller, designed as a jolt-a-minute freakout for young audiences who were numbed into submission long ago.

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58
ENTERTAINMENT WEEKLY: Owen Gleiberman

A splattery futuristic zombie thriller, designed as a jolt-a-minute freakout for young audiences who were numbed into submission long ago.

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50
USA Today: Mike Clark

Evil's one strong presence is lead Milla Jovovich -- and not because the script gives her supercop/soldier anything interesting to say.

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50
USA Today: Mike Clark

Evil's one strong presence is lead Milla Jovovich -- and not because the script gives her supercop/soldier anything interesting to say.

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50
SAN FRANCISCO CHRONICLE: Mick LaSalle

There's a psychological undercurrent. The movie occupies a zone where science fiction and nightmares collide and intertwine.

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50
NEW YORK DAILY NEWS: Jami Bernard

The dialogue is nothing to speak of, but the movie has a dynamite opening sequence in which the corporation turns on its workers, leaving them, if not dead, then with "virtually no intelligence," like office workers everywhere.

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50
Variety: Scott Foundas

Despite a promising setup, pic never really goes anywhere, instead immersing viewers in a kinetic onslaught of flesh (namely, that of Milla Jovovich) and flesh-eaters (most of the rest of the cast).

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30
Washington Post: 

In the end, it all looks and plays like a $40 million version of a game you're more likely to enjoy on a computer.

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30
The New York Times: Stephen Holden

The movie has a frantic staccato style that is more game-oriented than cinematic.

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See all Resident Evil reviews at metacritic.com »
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