If Quentin Tarantino's gritty, bone-chilling, powerfully violent new film, Reservoir Dogs, doesn't pin your ears back, nothing ever will...[It's] as caustic as battery acid. It's brutal, it's funny and you won't forget it. Guaranteed.Read Full Review »
100
Washington Post: Desson Thomson
With the exception of the opening scene -- whose purpose is chiefly comic -- the movie is one, extended climax. Even with flashbacks and other time jumps, it never lets up. You have to go back to Henri-Georges Clouzot's 1952 "The Wages of Fear" to recall suspense this relentless.Read Full Review »
100
ENTERTAINMENT WEEKLY: Ty Burr
You may not like the terms Tarantino sets, but you have to admit he succeeds on them.Read Full Review »
100
ReelViews: James Berardinelli
Grabs you by the throat and digs its claws in deep. From the moment that the unwitting viewer tumbles into the realm of Lawrence Tierney's gang of eight, they are hopelessly trapped there until the final credits roll.Read Full Review »
90
Time: Richard Corliss
Most of the movie is Actors Acting: gifted guys (Harvey Keitel, Tim Roth, Steve Buscemi, Chris Penn) running nattering riffs on familiar lout themes. [16 Nov 1992]Read Full Review »
90
The New York Times: Vincent Canby
Though small in physical scope, Reservoir Dogs is immensely complicated in its structure, which for the most part works with breathtaking effect. [23 Oct 1992]Read Full Review »
Tarantino's palpable enthusiasm, his unapologietic passion for what he's created, reinvigorates this venerable plot and, mayhem aside, makes it involving for longer than you might suspect. [27 Oct 1992]Read Full Review »
63
CHICAGO SUN-TIMES: Roger Ebert
The part that needs work didn't cost money. It's the screenplay. Having created the characters and fashioned the outline, Tarantino doesn't do much with his characters except to let them talk too much, especially when they should be unconscious from shock and loss of blood.Read Full Review »
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