The movie is literally a series of showstoppers, unified by the impulse to turn life, at its scruffiest, into theater - into a rhapsody of the everyday.Read Full Review »
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The New York Times: Dana Stevens
Often dramatically jumbled and musically muddled - but every time the film seemed ready to tip into awfulness, the sneer on my lips was trumped by the lump in my throat.Read Full Review »
Chris Columbus' relatively faithful and intermittently affecting adaptation boasts the boisterous vitality of its performers, particularly Jesse L. Martin and Wilson Jermaine Heredia as lovers Tom and Angel.Read Full Review »
50
Salon.com: Stephanie Zacharek
I wasn't sure a movie musical could be worse than last year's styrofoam-and-gilt swan-boat travesty "Phantom of the Opera," but I'm afraid Rent proves me wrong.Read Full Review »
50
USA Today: Mike Clark
With heavy HIV subtext and a couple of actors who have scored in other films, this La Bohème spinoff about fatal illness, drug addiction and eviction ought to be less of a slog than it is.Read Full Review »
50
Village Voice: Jorge Morales
Instead of bringing a universal love story to the living present, the film traps it in a frozen past like a prehistoric bug in amber, as removed from moviegoers' experience as a dusty diorama at the American Museum of Natural History.Read Full Review »
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Washington Post: Nelson Pressley
Onstage, Rent is a series of power surges, but in the movie the songs leave you flat.Read Full Review »