A spellbinding, intelligent thriller that takes its time to get where it's going but is well worth the trip.Read Full Review »
80
Salon.com: Andrew O'Hehir
It's still dynamite, the kind of sexy, paranoid, creepily atmospheric picture that invades all your senses at once.Read Full Review »
80
Village Voice: Ella Taylor
No one does poetic British with more remorseless hyper-realism than the Scots, and Arnold, who amassed a raft of reputable awards for her 2003 short film "Wasp," directs with a precociously sure touch and a raw taste for graphic sexuality rare in a woman helmer. It shocks, yet feels organic to the paranoid, loveless milieu portrayed in Red Road.Read Full Review »
70
The New York Times: A.O. Scott
In the arresting Red Road, the dire Orwellian warning that Big Brother is watching has evolved from a grim fantasy of totalitarianism into a banal fact of life.Read Full Review »
70
Washington Post: Desson Thomson
Its story -- and eerie allure -- comes from our evolving perception of Jackie (Kate Dickie), a surveillance operator in Glasgow, Scotland, who spends long days and nights monitoring the screens.Read Full Review »
50
Boston Globe: Ty Burr
The movie trades the paranoia of modern omni-cam culture for a tighter, more personal drama, and while it sticks with you, you feel the missed opportunity like a phantom leg.Read Full Review »
Hotmail
