A friend asked: "Wouldn't you love to attend a wedding like that?" In a way, I felt I had. Yes, I began to feel absorbed in the experience. A few movies can do that, can slip you out of your mind and into theirs.Read Full Review »
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ENTERTAINMENT WEEKLY: Owen Gleiberman
A triumph -- Demme's finest work since "The Silence of the Lambs," and a movie that tingles with life.Read Full Review »
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NewsWeek: David Ansen
Most of the time, Demme's deliberately unstable mixture of moods and genres produces electric results. Rachel Getting Married takes a familiar subject--the raw nerves of American family life with--and draws fresh blood.Read Full Review »
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LOS ANGELES TIMES: Kenneth Turan
Best and most unexpected of all, Rachel Getting Married dares to mix the bitter with the sweet. It understands that life-altering situations like weddings not only bring out the worst in human behavior but also the finest.Read Full Review »
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The New York Times: A.O. Scott
It’s a small movie, and in some ways a very sad one, but it has an undeniable and authentic vitality, an exuberance of spirit, that feels welcome and rare.Read Full Review »
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ROLLING STONE: Peter Travers
The acting is of the highest caliber. Winger, magnificent and too long between films, is a volcano of repressed anger.Read Full Review »
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Philadelphia Inquirer: Carrie Rickey
Jonathan Demme's superb rule-bending, heartrending and family-mending drama - ends with a wedding, it resists conventions as brazenly as does the bride's sister.Read Full Review »
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Slate: Dana Stevens
Hathaway transcends her usual complacency in this role and resists the temptation of using Kym's (and her own) wounded-bird appeal to let the character off the hook.Read Full Review »
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Washington Post: Michael O'Sullivan
The sprawling cast, the naturalistic, overlapping dialogue (here by screenwriter Jenny Lumet, daughter of director Sidney) and the swirling action: it seemed pure Robert Altman.Read Full Review »
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Boston Globe: Wesley Morris
The movie's few false notes come from Lumet's script, which can be overly explanatory. Because Demme is opting for present-tense realism, the characters are forced to fill us in on who did what when to whom, why, and how.Read Full Review »