Bing Search

Pulse

:

Critics' Reviews

Our critic says...
Metascore
®
27
Generally Unfavorable Reviews
out of 100
'Pulse' has Ludicrous Plot but is Intense
By Christy Lemire, Associated Press

"Pulse," yet another Americanized version of a Japanese horror flick, is extremely high concept — and trying very hard to be About Something.

It's intended as an indictment of our overdependence on communications devices, but the premise is out-of-this-world unbelievable. A computer hacker unleashes a wireless signal that's pure evil — that sucks the life out of everyone who comes into contact with it, prompting mass suicides and urban chaos.

Its grotesque, quasi-human images come in jumpy blips and flashes, similar to those in the Japanese-inspired "Ring" movies. They can come right at you through the screen, and they even know how to use printers and Web cams!

Wireless laptops can trigger them, cell phones — you name it, anything with a signal. Only by hiding in a dead zone can anyone hope to live. (Deep, huh?)

But you do have to give "Pulse" some credit: The film is incredibly intense and moody, with characters and dialogue that are far more grounded in reality than those of most frightfests (maybe that's because horror master Wes Craven co-wrote the script, based on Kiyoshi Kurosawa's original "Kairo"). Jim Sonzero directed the movie, which wasn't screened for critics before opening day, in varying shades of metallic green and gray.

"Veronica Mars" star Kristen Bell and Ian Somerhalder are among the college students fighting to survive in a paranoid world (specifically Columbus, Ohio) that ultimately resembles the apocalyptic setting you'd see in a zombie movie. Bell, who stars as Mattie, watches her boyfriend succumb to this mysterious force, then tracks down Somerhalder's Dexter, who bought the villainous computer.

As previous computer-themed thrillers like "The Net" and "Firewall" have shown, it's hard to build suspense through key strokes and letters and numbers on a screen. But the supernatural wi-fi element of "Pulse" allows our attractive young characters to become potential victims anywhere they go. It's just that easy!

R&B singer Christina Milian, in an array of belly-baring tops, co-stars as Mattie's roommate, with Rick Gonzalez and Samm Levine playing the friends who investigate the electronic evil and learn more than they'd hoped.

For all of them, asking the question "Can you hear me now?" elicits an answer other than "good."

Copyright 2006 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

"Pulse," yet another Americanized version of a Japanese horror flick, is extremely high concept — and trying very hard to be About Something.

It's intended as an indictment of our overdependence on communications devices, but the premise is out-of-this-world unbelievable. A computer hacker unleashes a wireless signal that's pure evil — that sucks the life out of everyone who comes into contact with it, prompting mass suicides and urban chaos.

Its grotesque, quasi-human images come in jumpy blips and flashes, similar to those in the Japanese-inspired "Ring" movies. They can come right at you through the screen, and they even know how to use printers and Web cams!

Wireless laptops can trigger them, cell phones — you name it, anything with a signal. Only by hiding in a dead zone can anyone hope to live. (Deep, huh?)

But you do have to give "Pulse" some credit: The film is incredibly intense and moody, with characters and dialogue that are far more grounded in reality than those of most frightfests (maybe that's because horror master Wes Craven co-wrote the script, based on Kiyoshi Kurosawa's original "Kairo"). Jim Sonzero directed the movie, which wasn't screened for critics before opening day, in varying shades of metallic green and gray.

"Veronica Mars" star Kristen Bell and Ian Somerhalder are among the college students fighting to survive in a paranoid world (specifically Columbus, Ohio) that ultimately resembles the apocalyptic setting you'd see in a zombie movie. Bell, who stars as Mattie, watches her boyfriend succumb to this mysterious force, then tracks down Somerhalder's Dexter, who bought the villainous computer.

As previous computer-themed thrillers like "The Net" and "Firewall" have shown, it's hard to build suspense through key strokes and letters and numbers on a screen. But the supernatural wi-fi element of "Pulse" allows our attractive young characters to become potential victims anywhere they go. It's just that easy!

R&B singer Christina Milian, in an array of belly-baring tops, co-stars as Mattie's roommate, with Rick Gonzalez and Samm Levine playing the friends who investigate the electronic evil and learn more than they'd hoped.

For all of them, asking the question "Can you hear me now?" elicits an answer other than "good."

Copyright 2006 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

100
TV GUIDE: Ken Fox

If one masterpiece were to emerge from the recent glut of generally good quality Japanese horror movie, this chilling apocalyptic ghost story from Kyroshi Kurosawa is it.

Read Full Review »
90
The New York Times: Anita Gates

The most horrifying thing in Kiyoshi Kurosawa's fiercely original, thrillingly creepy Pulse (released as "Kairo," or "Circuit," in Japan) is the way the ghosts move.

Read Full Review »
90
The New York Times: Anita Gates

The most horrifying thing in Kiyoshi Kurosawa's fiercely original, thrillingly creepy Pulse (released as "Kairo," or "Circuit," in Japan) is the way the ghosts move.

Read Full Review »
88
CHICAGO TRIBUNE: Michael Wilmington

It's a horror movie for aficionados. But it's also for people who don't usually like horror movies at all, who regard them as cheap, crude and over-obvious.There's nothing cheap or crude in Pulse," a fine, shivery movie about the terror of solitude and emptiness.

Read Full Review »
80
Washington Post: Stephen Hunter

Like the best horror movies, it doesn't beat you over the head, splatter you, or fold, spindle and mutilate you. Rather, slowly and subtly, it creeps you out. You may go home and throw out your computer and lock the doors.

Read Full Review »
80
Washington Post: Stephen Hunter

Like the best horror movies, it doesn't beat you over the head, splatter you, or fold, spindle and mutilate you. Rather, slowly and subtly, it creeps you out. You may go home and throw out your computer and lock the doors.

Read Full Review »
75
ROLLING STONE: Peter Travers

Just know that Pulse possesses the dark art to make your pulse pound and your hair stand on end -- with no cheating.

Read Full Review »
75
ROLLING STONE: Peter Travers

Just know that Pulse possesses the dark art to make your pulse pound and your hair stand on end -- with no cheating.

Read Full Review »
75
Boston Globe: Wesley Morris

Where the average Japanese horror flick is petulant and nasty, Pulse is dolorous, shivery, and surreal.

Read Full Review »
75
Boston Globe: Wesley Morris

Where the average Japanese horror flick is petulant and nasty, Pulse is dolorous, shivery, and surreal.

Read Full Review »
See all Pulse reviews at metacritic.com »
showtimes & tickets
Search by location, title, or genre:
upcoming movies on
featured video