Pulse

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Critics' Reviews

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Metascore
®
27
Generally Unfavorable Reviews
out of 100
'Pulse' has Ludicrous Plot but is Intense
By Christy Lemire, Associated Press

"Pulse," yet another Americanized version of a Japanese horror flick, is extremely high concept — and trying very hard to be About Something.

It's intended as an indictment of our overdependence on communications devices, but the premise is out-of-this-world unbelievable. A computer hacker unleashes a wireless signal that's pure evil — that sucks the life out of everyone who comes into contact with it, prompting mass suicides and urban chaos.

Its grotesque, quasi-human images come in jumpy blips and flashes, similar to those in the Japanese-inspired "Ring" movies. They can come right at you through the screen, and they even know how to use printers and Web cams!

Wireless laptops can trigger them, cell phones — you name it, anything with a signal. Only by hiding in a dead zone can anyone hope to live. (Deep, huh?)

But you do have to give "Pulse" some credit: The film is incredibly intense and moody, with characters and dialogue that are far more grounded in reality than those of most frightfests (maybe that's because horror master Wes Craven co-wrote the script, based on Kiyoshi Kurosawa's original "Kairo"). Jim Sonzero directed the movie, which wasn't screened for critics before opening day, in varying shades of metallic green and gray.

"Veronica Mars" star Kristen Bell and Ian Somerhalder are among the college students fighting to survive in a paranoid world (specifically Columbus, Ohio) that ultimately resembles the apocalyptic setting you'd see in a zombie movie. Bell, who stars as Mattie, watches her boyfriend succumb to this mysterious force, then tracks down Somerhalder's Dexter, who bought the villainous computer.

As previous computer-themed thrillers like "The Net" and "Firewall" have shown, it's hard to build suspense through key strokes and letters and numbers on a screen. But the supernatural wi-fi element of "Pulse" allows our attractive young characters to become potential victims anywhere they go. It's just that easy!

R&B singer Christina Milian, in an array of belly-baring tops, co-stars as Mattie's roommate, with Rick Gonzalez and Samm Levine playing the friends who investigate the electronic evil and learn more than they'd hoped.

For all of them, asking the question "Can you hear me now?" elicits an answer other than "good."

Copyright 2006 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

"Pulse," yet another Americanized version of a Japanese horror flick, is extremely high concept — and trying very hard to be About Something.

It's intended as an indictment of our overdependence on communications devices, but the premise is out-of-this-world unbelievable. A computer hacker unleashes a wireless signal that's pure evil — that sucks the life out of everyone who comes into contact with it, prompting mass suicides and urban chaos.

Its grotesque, quasi-human images come in jumpy blips and flashes, similar to those in the Japanese-inspired "Ring" movies. They can come right at you through the screen, and they even know how to use printers and Web cams!

Wireless laptops can trigger them, cell phones — you name it, anything with a signal. Only by hiding in a dead zone can anyone hope to live. (Deep, huh?)

But you do have to give "Pulse" some credit: The film is incredibly intense and moody, with characters and dialogue that are far more grounded in reality than those of most frightfests (maybe that's because horror master Wes Craven co-wrote the script, based on Kiyoshi Kurosawa's original "Kairo"). Jim Sonzero directed the movie, which wasn't screened for critics before opening day, in varying shades of metallic green and gray.

"Veronica Mars" star Kristen Bell and Ian Somerhalder are among the college students fighting to survive in a paranoid world (specifically Columbus, Ohio) that ultimately resembles the apocalyptic setting you'd see in a zombie movie. Bell, who stars as Mattie, watches her boyfriend succumb to this mysterious force, then tracks down Somerhalder's Dexter, who bought the villainous computer.

As previous computer-themed thrillers like "The Net" and "Firewall" have shown, it's hard to build suspense through key strokes and letters and numbers on a screen. But the supernatural wi-fi element of "Pulse" allows our attractive young characters to become potential victims anywhere they go. It's just that easy!

R&B singer Christina Milian, in an array of belly-baring tops, co-stars as Mattie's roommate, with Rick Gonzalez and Samm Levine playing the friends who investigate the electronic evil and learn more than they'd hoped.

For all of them, asking the question "Can you hear me now?" elicits an answer other than "good."

Copyright 2006 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

90
The New York Times: Anita Gates
The most horrifying thing in Kiyoshi Kurosawa's fiercely original, thrillingly creepy Pulse (released as "Kairo," or "Circuit," in Japan) is the way the ghosts move.Read Full Review »
80
Washington Post: Stephen Hunter
Like the best horror movies, it doesn't beat you over the head, splatter you, or fold, spindle and mutilate you. Rather, slowly and subtly, it creeps you out. You may go home and throw out your computer and lock the doors.Read Full Review »
75
ROLLING STONE: Peter Travers
Just know that Pulse possesses the dark art to make your pulse pound and your hair stand on end -- with no cheating.Read Full Review »
75
Boston Globe: Wesley Morris
Where the average Japanese horror flick is petulant and nasty, Pulse is dolorous, shivery, and surreal.Read Full Review »
70
LOS ANGELES TIMES: Carina Chocano
Neither linear nor overly explained, Pulse completely dispenses with smash cuts, cymbal crashes and other editing tricks of the horror trade.Read Full Review »
60
Village Voice: J. Hoberman
With very few strong characters and a great many middle shots, Pulse sometimes plods--it's the price of Kurosawa's restraint and his indifference to structure.Read Full Review »
60
Washington Post: Stephen Hunter
American director Jim Sonzero has taken the same campus setting and plot and added some rationale by "science-fictioning" it.Read Full Review »
58
ENTERTAINMENT WEEKLY: Owen Gleiberman
Nothing in the two snail-paced hours of Pulse makes close to a shred of sense?Read Full Review »
50
Boston Globe: Wesley Morris
If Pulse is unsurprising as a horror movie (come on: chalky, soul-sucking freaks again?), as a campaign against the Internet, digital piracy, cellphones, and anything that computes anything (like laptops or brains), it's a riot.Read Full Review »
42
ENTERTAINMENT WEEKLY: Owen Gleiberman
In this American remake of the spooky, more-atmospheric-than-coherent 2005 J-horror thriller, the ghosts blink and crackle into existence with an electromagnetic sputter, but really, they're not so different from the gauzy, see-through spirits of yesteryear.Read Full Review »
See all Pulse reviews at metacritic.com »