Edward Norton is in top form as Ray, a burned-out detective whose investigation into the deaths of four cops leads him to suspect his brother-in-law, Officer Jimmy Egan (Colin Farrell, also terrific).Read Full Review »
75
ROLLING STONE: Peter Travers
Its value is unquestionable as drama and moral provocation.Read Full Review »
63
ReelViews: James Berardinelli
The final 15 minutes are so awful that it's difficult to believe that the bulk of the film is actually decent.Read Full Review »
60
Salon.com: Mary Elizabeth Williams
What makes the characters in Pride and Glory real -- and raises the movie above the standard corrupt-cop fare -- is their capacity to live and die in shades of gray.Read Full Review »
Everything in this good-cop/bad-cop action drama is shrouded in gray and attended by wailing. This isn't a feel-good genre, granted, but does it have to feel this bad?Read Full Review »
50
CHICAGO SUN-TIMES: Roger Ebert
It follows the well-worn pathways of countless police dramas before it.Read Full Review »
50
The New York Times: A.O. Scott
Not especially good, but there is enough rough artistry in Mr. O’Connor’s direction to make you wish the film were better.Read Full Review »
40
LOS ANGELES TIMES: Carina Chocano
The movie is as histrionic as it is ham-fisted, a bad combination that leads to scenes such as the one in which officers threaten to torture a baby to get their point across.Read Full Review »
38
USA Today: Claudia Puig
It's déjà vu all over again. There isn't much more to say about "We Own the Night 2." Oops, make that Pride and Glory.Read Full Review »
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