Hedges's intelligent and touching farce, Pieces of April, makes an important contribution to a small and insignificant subgenre: Thanksgiving Day failure. It does so by raising the bar.Read Full Review »
90
Washington Post: Desson Thomson
This film explores what low-budget films do best: the quirkiness of character, and slightly off-kilter comedy.Read Full Review »
90
LOS ANGELES TIMES: Kenneth Turan
It turns out to be an especially warm comedy with a hidden heart. It's a film whose humor has feeling behind it because writer-director Peter Hedges doesn't let his comedy overpower an understanding of how emotionally weighted family situations are always going to be.Read Full Review »
80
Washington Post: Ann Hornaday
Belongs, wholly and completely, to Clarkson, who delivers Joy's mordant asides and withering observations with a flawless balance of tartness and vulnerability.Read Full Review »
75
Philadelphia Inquirer: Steven Rea
For a movie about community and forgiveness, family and grace, Pieces of April is refreshingly unsappy.Read Full Review »
75
ReelViews: James Berardinelli
Despite its themes of terminal illness, dysfunctional families, and the need to heal old wounds, the film spends more time provoking laughter than tears.Read Full Review »
75
CHICAGO SUN-TIMES: Roger Ebert
Despite its flaws, Pieces of April has a lot of joy and quirkiness; it's well-intentioned in its screwy way, with flashes of human insight, and actors who can take a moment and make it glow.Read Full Review »
75
ROLLING STONE: Peter Travers
Holmes nails every laugh without missing the dramatic nuances. She makes April and her movie well worth knowing.Read Full Review »
70
Salon.com: Stephanie Zacharek
Although Pieces of April doesn't quite stick together as a whole -- in some places it's conventional and a bit contrived, particularly the ending, which feels rushed and a little tough to buy -- Hedges peppers it with enough wonderful moments that you can't help warming up to it.Read Full Review »
50
ENTERTAINMENT WEEKLY: Owen Gleiberman
The quaint racial blinders are really on the eyes of the filmmaker, Peter Hedges, who shoves his characters into the narrowest of sitcom slots and seals them there.Read Full Review »