Over the Hedge

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Critics' Reviews

Metascore
®
67
Generally favorable reviews
out of 100
'Over the Hedge' Flounders
By John Hartl, Film critic, MSNBC

The latest computer-generated DreamWorks cartoon, "Over the Hedge," throws around some interesting ideas before it succumbs to terminal cuteness. The plot was inspired by the encroaching nature of modern suburbia, which threatens to flush out wildlife in the woods that surround manicured lawns, barbecues and swimming pools.

The central characters are R.J., a roguish, fast-talking raccoon (voice by Bruce Willis) who owes a pile of junk food to an angry grizzly bear (Nick Nolte), and Verne, a self-described "tentative" turtle (Garry Shandling) who shies away from adventure.

Also providing animal voices are Steve Carrell as the energetic squirrel, Hammy; William Shatner as Ozzie, a possum who's a genius at playing dead; Omid Djalili as the sadomasochistic house cat, Tiger; Wanda Sykes as a pushy skunk named Stella; and Catherine O'Hara and Eugene Levy (the "Mighty Wind" duo) as the sensitive porcupines, Penny and Lou.

Spring has arrived, the hibernating animals are just waking up and they're discovering that an upscale development has taken over what used to be "their" territory. The young ones especially are hungry, and R.J. knows just where to find the food: in silver-plated garbage cans that clearly must have been designed with foraging forest animals in mind.

The humans, of course, see things differently, especially when the cans are overturned and litter the previously squeaky-clean streets. Gladys (Allison Janney), the snotty president of the local homeowners' association, calls in a "verminator" (Thomas Haden Church) to get rid of the visitors as "humanely" as possible.

It isn't much of a plot, so the filmmakers fill the time with disposable songs, trumped-up conflicts between the animals and an overcooked message about the importance of sticking together and becoming a family. The most inspired episode involves an all-out satirical assault on consumerism, including a scene in which a food-obsessed suburban family worships at the altar of the dinner table.

For a few seconds, you might wonder if you're watching a cartoon treatment of "American Beauty," which DreamWorks also produced. But "Over the Hedge" is based on a comic strip by Michael Fry and T. Lewis, and it soon reverts to comic-strip form.

The script is the work of Len Blum ("The Pink Panther"), Karey Kirkpatrick ("Chicken Run") and the team of David Hoselton and Lorne Cameron ("Brother Bear"). Kirkpatrick and Tim Johnson ("Antz") are the co-directors.

As usual with DreamWorks cartoons, there are plenty of Disney references. The angry bear resembles the determined bully Brer Bear of "Song of the South," and there's a bit of Brer Rabbit in R.J. The point of view, always suggesting how the animals see domesticated humans as amusing aliens, is reminiscent of "Lady and the Tramp."

For adults with long memories, there are labored quotations from "Citizen Kane" (yes, "Rosebud" is cited), "A Streetcar Named Desire" (yes, "Stella!" is shouted) and "The Day the Earth Stood Still" (the earth stops spinning for one entire cosmic episode). Feature-length cartoons now require these kinds of self-conscious pop-culture acknowledgments, but they're looking more and more like they're filling out a checklist.

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The latest computer-generated DreamWorks cartoon, "Over the Hedge," throws around some interesting ideas before it succumbs to terminal cuteness. The plot was inspired by the encroaching nature of modern suburbia, which threatens to flush out wildlife in the woods that surround manicured lawns, barbecues and swimming pools.

The central characters are R.J., a roguish, fast-talking raccoon (voice by Bruce Willis) who owes a pile of junk food to an angry grizzly bear (Nick Nolte), and Verne, a self-described "tentative" turtle (Garry Shandling) who shies away from adventure.

Also providing animal voices are Steve Carrell as the energetic squirrel, Hammy; William Shatner as Ozzie, a possum who's a genius at playing dead; Omid Djalili as the sadomasochistic house cat, Tiger; Wanda Sykes as a pushy skunk named Stella; and Catherine O'Hara and Eugene Levy (the "Mighty Wind" duo) as the sensitive porcupines, Penny and Lou.

Spring has arrived, the hibernating animals are just waking up and they're discovering that an upscale development has taken over what used to be "their" territory. The young ones especially are hungry, and R.J. knows just where to find the food: in silver-plated garbage cans that clearly must have been designed with foraging forest animals in mind.

The humans, of course, see things differently, especially when the cans are overturned and litter the previously squeaky-clean streets. Gladys (Allison Janney), the snotty president of the local homeowners' association, calls in a "verminator" (Thomas Haden Church) to get rid of the visitors as "humanely" as possible.

It isn't much of a plot, so the filmmakers fill the time with disposable songs, trumped-up conflicts between the animals and an overcooked message about the importance of sticking together and becoming a family. The most inspired episode involves an all-out satirical assault on consumerism, including a scene in which a food-obsessed suburban family worships at the altar of the dinner table.

For a few seconds, you might wonder if you're watching a cartoon treatment of "American Beauty," which DreamWorks also produced. But "Over the Hedge" is based on a comic strip by Michael Fry and T. Lewis, and it soon reverts to comic-strip form.

The script is the work of Len Blum ("The Pink Panther"), Karey Kirkpatrick ("Chicken Run") and the team of David Hoselton and Lorne Cameron ("Brother Bear"). Kirkpatrick and Tim Johnson ("Antz") are the co-directors.

As usual with DreamWorks cartoons, there are plenty of Disney references. The angry bear resembles the determined bully Brer Bear of "Song of the South," and there's a bit of Brer Rabbit in R.J. The point of view, always suggesting how the animals see domesticated humans as amusing aliens, is reminiscent of "Lady and the Tramp."

For adults with long memories, there are labored quotations from "Citizen Kane" (yes, "Rosebud" is cited), "A Streetcar Named Desire" (yes, "Stella!" is shouted) and "The Day the Earth Stood Still" (the earth stops spinning for one entire cosmic episode). Feature-length cartoons now require these kinds of self-conscious pop-culture acknowledgments, but they're looking more and more like they're filling out a checklist.

More movies on MSNBC 

83
ENTERTAINMENT WEEKLY: Lisa Schwarzbaum
The visual and verbal jokes are as bouncy and multilevel (hip height for adults, knee-slap-size for kids) as we have come, no doubt selfishly, to expect from DreamWorks.Read Full Review »
75
ReelViews: James Berardinelli
Solid family entertainment, and it's better than 2006's previous tepid animated releases.Read Full Review »
75
CHICAGO SUN-TIMES: Roger Ebert
Not at the level of "Finding Nemo" or "Shrek," but is a lot of fun, awfully nice to look at, and filled with energy and smiles.Read Full Review »
75
USA Today: Claudia Puig
The vividly animated film -- based on a comic strip by Michael Fry and T. Lewis -- has an appealing balance of comic bits and exhilarating action sequences.Read Full Review »
70
Washington Post: Desson Thomson
Hedge is built for laughter rather than artistry; jokes are packed into every pixel. But despite the movie's entertaining qualities, there is something a little unsettling.Read Full Review »
63
Boston Globe: Wesley Morris
There is actually an occasional moment of inspiration, but as an experience, the movie doesn't hog much shelf space in the memory.Read Full Review »
50
Philadelphia Inquirer: Steven Rea
Over the Hedge isn't by any stretch bad. It's just banal.Read Full Review »
50
LOS ANGELES TIMES: Kevin Crust
The disappointingly pedestrian computer-animated Over the Hedge will be more entertaining for little tykes than their older siblings and parents, and would not seem out of place on Saturday morning television.Read Full Review »
40
Village Voice: Robert Wilonsky
"Lady and the Tramp" all by its lonesome is worth a dozen of these meat-grinders -- crude commodities, plush toys and product placements in search of a story from which to hang their price tags.Read Full Review »
40
The New York Times: Manohla Dargis
There is no poetry here and little thought.Read Full Review »
See all Over the Hedge reviews at metacritic.com »