It takes on the resonance of classic tragedy. Tragedy requires the fall of a hero, and one of the achievements of Nixon is to show that greatness was within his reach.Read Full Review »
75
ReelViews: James Berardinelli
In this motion picture, Oliver Stone presents his vision of the forces that drove and motivated the late President. And, factual or not, there's no denying that Nixon has moments when it is nothing short of compelling.Read Full Review »
75
ROLLING STONE: Staff (Not Credited)
It's gripping psychodrama -- just don't confuse Nixon with history. The revelation that comes with unbiased research remains a Stone's throw away.Read Full Review »
75
Boston Globe: Jay Carr
It's huge, brilliant, dark and cathartic, with a towering and complex performance by Anthony Hopkins that humanizes Nixon more than Nixon ever was able to humanize himself. [20 Dec 1995, p.33]Read Full Review »
70
Washington Post: Hal Hinson
Nixon is an audacious biography rich in imagination and originality, with a provocative, often subversive sense of character and history. Dense and challenging, it is also undermined in places by Stone's obsessions just as dramatically as Richard Nixon was undermined by his.Read Full Review »
70
LOS ANGELES TIMES: Kenneth Turan
Nixon is in many ways an impressive, well-crafted piece of work. With name actors in more than 20 parts, it is as intelligently cast as any movie this year, and includes at least one exceptional performance, though not the one you're expecting.Read Full Review »
70
Washington Post: Desson Howe
You may disagree with some of the screenplay's characterizations, assertions and interpretations, but you will not be bored.Read Full Review »
70
The New York Times: Janet Maslin
Mr. Stone's compassion for his subject overwhelms his film's false moves. And the barrage of undramatized, undigested data gives way to a much tighter and more artful vision...the film starts snowballing its way to real dramatic power. [20 Dec 1995, p.C11]Read Full Review »
63
USA Today: Mike Clark
Oliver Stone's Nixon humanizes a reviled but respected subject for over three hours - dynamically at times, but finally so solemnly that it becomes a grind-you-down dirge. The maker of Natural Born Killers actually concludes with the Mormon Tabernacle Choir singing Shenandoah - without irony. [20 Dec 1995, p.1D]Read Full Review »
60
Village Voice: J. Hoberman
Satisfying as it is to at last have Nixon as a Disney character, Hopkins's overheated, self-consciously self-conscious performance doesn't get the overall nuttiness of Nixon's unctuous rage, his iron-butt single-mindedness. [26 Dec 1995]Read Full Review »
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