However insulting the script is to the formidable talents of Clayburgh and Tambor, they turn in Shinola performances.Read Full Review »
50
Village Voice: Ben Kenigsberg
A comedic semi-rehash of "An Unmarried Woman" (1978) with older leads, Never Again sports a good-hearted story but doesn't know how to tell it.Read Full Review »
50
CHICAGO SUN-TIMES: Roger Ebert
Here's a case of two actors who do everything humanly possible to create characters who are sweet and believable, and are defeated by a screenplay that forces them into bizarre, implausible behavior.Read Full Review »
50
Boston Globe: Janice Page
There are moments, too, where the forced hipness falls aside and the two lead characters just plain relate, realistically and maturely, with a seasoned playfulness that is truly charming.Read Full Review »
40
LOS ANGELES TIMES: Kevin Thomas
Youthful audiences won't be attracted to a love story between two 54-year-olds in the first place, and mature audiences will be turned off by the language, not necessarily out of prudishness, but out of its sheer crassness.Read Full Review »
20
The New York Times: Stephen Holden
The movie, like its lovers, is really two films smushed together in the faint hope that sheer incongruity can grind out laughter.Read Full Review »
20
Washington Post: Michael O'Sullivan
Full of the kind of obnoxious chitchat that only self-aware neurotics engage in. Christopher and Grace probably deserve each other, but that doesn't mean that any of us do.Read Full Review »
16
ENTERTAINMENT WEEKLY: Owen Gleiberman
Schaeffer's howler of a romantic comedy, which presents itself as a valentine to Clayburgh even as it keeps dreaming up fresh ways to humiliate her.Read Full Review »
10
Washington Post: Stephen Hunter
A meet-cute whimsy set among divorced fifty-somethings in New York, it blunders on toward oblivion, excruciatingly unfunny and pitifully unromantic.Read Full Review »
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