By surrendering any semblance of rationality to create a post-Freudian, pulp-fiction fever dream of a movie, Mr. Lynch ends up shooting the moon with Mulholland Drive.Read Full Review »
100
Salon.com: Stephanie Zacharek
Lynch's Hollywood is a grand old girl, but she's one with some very treacherous curves. To trace the contours of her sensuality, you need a camera as sensitive as a set of fingertips. Lynch's is.Read Full Review »
100
LOS ANGELES TIMES: Kenneth Turan
Likely as not, these things mean nothing in a conventional plot sense, but as powerful images, as pictures from a dreamlike world, they are unforgettable. And that, David Lynch would probably say, is exactly the point.Read Full Review »
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CHICAGO SUN-TIMES: Roger Ebert
This is a movie to surrender yourself to. If you require logic, see something else. Mulholland Drive works directly on the emotions, like music.Read Full Review »
90
Village Voice: J. Hoberman
Thrilling and ludicrous. The movie feels entirely instinctual. The rest is silencio.Read Full Review »
90
ROLLING STONE: Peter Travers
The challenge is exhilarating. You can discover a lot about yourself by getting lost in Mulholland Drive. It grips you like a dream that won't let go.Read Full Review »
90
Time: Richard Corliss
Viewers will feel as though they've just finished a great meal but aren't sure what they've been served. Behind them, the chef smiles wickedly.Read Full Review »
Mulholland Drive isn't a "puzzle" like "Memento," in which the pieces (sort of) fit together. There are some pieces here that will never fit -- except maybe in Lynch's unconscious. And yet -- and yet -- this distinctly Hollywood nightmare makes a deeper kind of sense.Read Full Review »
80
Washington Post: Stephen Hunter
Lynch's new movie, Mulholland Drive, is a trip and a half: It's like playing Twister and Scrabble simultaneously while high on LSD. Oh, and it's dark out.Read Full Review »
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