There's something refreshing about its utterly unembarrassed embrace of the familiar. The director, George Tillman Jr., either doesn't notice or doesn't give a hoot about the way Scott Marshall Smith's script piles up cliches.Read Full Review »
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LOS ANGELES TIMES: Kevin Thomas
Leaves you wanting to know more, and that's not a bad thing.Read Full Review »
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Salon.com: Andrew O'Hehir
In its quest to create "wholesome" entertainment, the movie industry is furiously turning back the clock four decades or so, to the days when men were men, girls were cute but knew their place and pencil-necked Poindexters stayed out of your damn face.Read Full Review »
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The New York Times: Dana Stevens
Until its unbearably hokey ending, acquits itself reasonably well.Read Full Review »