Longer on atmosphere and observation than on story, but you don't mind: Coppola maintains her quietly charged tone with a certainty that would be unbelievable in a second film if you didn't suspect genetics had a hand.Read Full Review »
100
ReelViews: James Berardinelli
Simply put, Sofia Copolla's Lost in Translation is an amazing motion picture.Read Full Review »
100
Salon.com: Stephanie Zacharek
The connection between Bob and Charlotte, as Coppola shows it to us at the end of Lost in Translation, is a moment of intimate magnificence. I have never seen anything quite like it, in any movie.Read Full Review »
100
The New York Times: A.O. Scott
Here he (Murray) supplies the kind of performance that seems so fully realized and effortless that it can easily be mistaken for not acting at all.Read Full Review »
100
LOS ANGELES TIMES: Kenneth Turan
The fact that this kind of serious material ends up playing puckishly funny as well as poignant is a tribute both to Coppola and to her do-or-die decision to cast Murray in the lead role.Read Full Review »
I loved this movie. I loved the way Coppola and her actors negotiated the hazards of romance and comedy, taking what little they needed and depending for the rest on the truth of the characters.Read Full Review »
100
ENTERTAINMENT WEEKLY: Lisa Schwarzbaum
What's astonishing about Sofia Coppola's enthralling new movie is the precision, maturity, and originality with which the confident young writer-director communicates so clearly in a cinematic language all her own.Read Full Review »
90
Slate: David Edelstein
This is the Bill Murray performance we've been waiting for: Saturday Night Live meets Chekhov.Read Full Review »
90
Time: Richard Corliss
Watch Murray's eyes in the climactic scene in the hotel lobby: while hardly moving, they express the collapsing of all hopes, the return to a sleepwalking status quo. You won't find a subtler, funnier or more poignant performance this year than this quietly astonishing turn.Read Full Review »