A nutty, zany, wacky, unruly, spastically hilarious hodgepodge that hits at least twice as often as it misses—which is a big deal, since there are more gags per square foot of celluloid than in any film since Joe Dante's "Gremlins 2: The New Batch" (1990).Read Full Review »
75
ReelViews: James Berardinelli
So jam-packed with self-referential humor, pop culture cameos, and nods to some of the greatest moments in animation, that it's almost impossible not to like it.Read Full Review »
75
Philadelphia Inquirer: Carrie Rickey
Fraser and Elfman are goofily endearing even if they seem more sincere acting opposite the rabbit and the duck than they do each other.Read Full Review »
75
Boston Globe: Ty Burr
The joy is in the details, and they are unrelentingly comic.Read Full Review »
75
CHICAGO SUN-TIMES: Roger Ebert
Not as inspired as "Who Framed Roger Rabbit" but in the same spirit. It's goofy fun. Or maybe we should make that daffy fun.Read Full Review »
70
Village Voice: Ben Kenigsberg
Dante's masterstroke is to make the movie as visually and narratively unhinged as its source material.Read Full Review »
70
LOS ANGELES TIMES: Manohla Dargis
Looney Tunes doesn't have much on its addled mind other than pure entertainment, and on this level it succeeds quite nicely.Read Full Review »
63
USA Today: Mike Clark
Even when the movie works, it's so much like having Daffy Duck assault your face that you want to buy a box set of elevator music for the calming drive home.Read Full Review »
60
The New York Times: Stephen Holden
If the movie has loads of nerve, its ambitious fusion of cartoons and live-action comedy is only fitfully amusing.Read Full Review »
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