Paul Haggis' In the Valley of Elah is built on Tommy Lee Jones' persona, and that is why it works so well. The same material could have been banal or routine with an actor trying to be "earnest" and "sincere."Read Full Review »
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ENTERTAINMENT WEEKLY: Owen Gleiberman
It's the first Hollywood Iraq movie to remind me of a Vietnam film like Coming Home, and it does more than disturb. It scalds, moves, and heals.Read Full Review »
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USA Today: Claudia Puig
A rare blend of emotional content and intelligent material that makes it simultaneously gut-wrenching and thought-provoking.Read Full Review »
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Time: Richard Schickel
This is a sad, subtle and very good movie, designed not so much to make you think, but to make you feel the impact of large events on little lives.Read Full Review »
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Philadelphia Inquirer: Carrie Rickey
Haggis' earnest and eloquent film about the impact of the war in Iraq on U.S. soldiers, and by extension, their nation, is human-scaled. And as deep and harrowed as Jones' crevassed face.Read Full Review »
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ROLLING STONE: Peter Travers
The haunting, heart-piercing Elah isn't perfect. It's something better: essential.Read Full Review »
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NewsWeek: David Ansen
It's the casting of Iraq vet and non-professional Jake McLaughlin as Specialist Bonner, who fought alongside Deerfield's son in Iraq, that strikes a deeper emotional chord. His scenes with Jones, fraught with a complicated mix of bitterness, concern and guilt, are the best things in the movie.Read Full Review »
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Boston Globe: Wesley Morris
Paul Haggis switches from the problem of racism to the problem of Iraq. The war is a better fit. None of the exasperating guilt on display in "Crash" has made it into In the Valley of Elah, a solidly made genre movie: the Army mystery.Read Full Review »
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ReelViews: James Berardinelli
The last scene of In the Valley of Elah may be the most ridiculously ham-fisted and over-the-top moment in all of 2007’s supposed prestige cinema.Read Full Review »
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The New York Times: A.O. Scott
However you judge the movie’s politics, and whatever its flaws, there is something inarguable, something irreducibly honest and right, about Mr. Jones’s performance.Read Full Review »