In Her Shoes

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Critics' Reviews

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Metascore
®
60
Mixed or Average Reviews
out of 100
These 'Shoes' Almost Fit
John Hartl
Cameron Diaz and Toni Collette are estranged sisters meeting a long-lost grandmother 

By John Hartl
Film critic, MSNBC

Our rating: 

There are so many genuinely sweet and funny moments in Curtis Hanson's new movie, "In Her Shoes," that the sappy predictability of its finale leaves you near shock.

Based on Jennifer Weiner's chick-lit 2002 best-seller, it's a very odd choice for the director of "L.A. Confidential" and "8 Mile." The harsh edges of Hanson's previous movies have been sandpapered away, but not in an obnoxious way — that is, until the 130-minute film is almost over.

Cameron Diaz delivers what may be the strongest performance of her career, even if her character, the loutish beauty Maggie, doesn't quite add up. The script by Susannah Grant keeps insisting that Maggie and her more successful sister Rose (Toni Collette) are soulmates, but what the movie mostly demonstrates is that they're better off without each other.

Maggie is a selfish monster who takes advantage of Rose, a Philadelphia attorney, when she moves in with her. When Rose finds Maggie sleeping with her new boyfriend, she throws them both out, and Maggie heads to Florida to find their longlost maternal grandmother Ella (Shirley MacLaine). After mooching off Ella for awhile, Maggie suddenly grows a conscience.

Meanwhile, back in Philadelphia, Rose has dropped out of her law firm to take up dog-walking as a profession. Almost immediately she runs into a former co-worker, Simon (Mark Feuerstein), who worships her and once tried to lure her away from her cheating lover. When they announce their engagement, Rose's father (Ken Howard) and stepmother (Candice Azzara) couldn't be happier — though the latter eventually reveals herself as the nastiest stepmother since "Cinderella."

Azzara all but invites the audience to hiss whenever she appears, and that's exactly the way the role has been written. The more menacing she becomes, the dopier the movie seems. After starting out on a reasonably adult level, it finally retreats into adolescent revenge fantasies and unlikely character switcheroos. Especially hard to buy is a subplot that explains why Rose and Maggie don't know much about Ella.

Nevertheless, for most of its running time, "In Her Shoes" is smart and surprising. It's a terrific vehicle for Diaz, whose gift for comedy is now matched by a clear talent for dramatic fireworks, and Collette, an Australian actress who finally gets an American movie that demonstrates what she can do with a complex leading role. As for MacLaine, this may be the richest part she's had since she won an Oscar for playing another prickly mother in "Terms of Endearment."

Feuerstein, who stole "The Muse" from Sharon Stone and Albert Brooks, is utterly charming in what may be an even tougher role: The Perfect Boyfriend. There's almost nothing wrong with Simon, he's almost impossibly considerate and appealing (well, he does have a habit of ordering for others in restaurants), yet Rose keeps discouraging him.

But he keeps coming back and finding ways to make himself indispensable. In the movie's funniest and most romantic scene, Simon reads a bodice-ripper aloud to Rose. At last she can't resist him, and you can only wonder what took her so long.

More movies on MSNBC 

Cameron Diaz and Toni Collette are estranged sisters meeting a long-lost grandmother 

By John Hartl
Film critic, MSNBC

Our rating: 

There are so many genuinely sweet and funny moments in Curtis Hanson's new movie, "In Her Shoes," that the sappy predictability of its finale leaves you near shock.

Based on Jennifer Weiner's chick-lit 2002 best-seller, it's a very odd choice for the director of "L.A. Confidential" and "8 Mile." The harsh edges of Hanson's previous movies have been sandpapered away, but not in an obnoxious way — that is, until the 130-minute film is almost over.

Cameron Diaz delivers what may be the strongest performance of her career, even if her character, the loutish beauty Maggie, doesn't quite add up. The script by Susannah Grant keeps insisting that Maggie and her more successful sister Rose (Toni Collette) are soulmates, but what the movie mostly demonstrates is that they're better off without each other.

Maggie is a selfish monster who takes advantage of Rose, a Philadelphia attorney, when she moves in with her. When Rose finds Maggie sleeping with her new boyfriend, she throws them both out, and Maggie heads to Florida to find their longlost maternal grandmother Ella (Shirley MacLaine). After mooching off Ella for awhile, Maggie suddenly grows a conscience.

Meanwhile, back in Philadelphia, Rose has dropped out of her law firm to take up dog-walking as a profession. Almost immediately she runs into a former co-worker, Simon (Mark Feuerstein), who worships her and once tried to lure her away from her cheating lover. When they announce their engagement, Rose's father (Ken Howard) and stepmother (Candice Azzara) couldn't be happier — though the latter eventually reveals herself as the nastiest stepmother since "Cinderella."

Azzara all but invites the audience to hiss whenever she appears, and that's exactly the way the role has been written. The more menacing she becomes, the dopier the movie seems. After starting out on a reasonably adult level, it finally retreats into adolescent revenge fantasies and unlikely character switcheroos. Especially hard to buy is a subplot that explains why Rose and Maggie don't know much about Ella.

Nevertheless, for most of its running time, "In Her Shoes" is smart and surprising. It's a terrific vehicle for Diaz, whose gift for comedy is now matched by a clear talent for dramatic fireworks, and Collette, an Australian actress who finally gets an American movie that demonstrates what she can do with a complex leading role. As for MacLaine, this may be the richest part she's had since she won an Oscar for playing another prickly mother in "Terms of Endearment."

Feuerstein, who stole "The Muse" from Sharon Stone and Albert Brooks, is utterly charming in what may be an even tougher role: The Perfect Boyfriend. There's almost nothing wrong with Simon, he's almost impossibly considerate and appealing (well, he does have a habit of ordering for others in restaurants), yet Rose keeps discouraging him.

But he keeps coming back and finding ways to make himself indispensable. In the movie's funniest and most romantic scene, Simon reads a bodice-ripper aloud to Rose. At last she can't resist him, and you can only wonder what took her so long.

More movies on MSNBC 

88
USA Today: Mike Clark
This is the most enjoyable film of its type in recent memory.Read Full Review »
88
CHICAGO SUN-TIMES: Roger Ebert
Starts out with the materials of an ordinary movie and becomes a rather special one.Read Full Review »
75
Philadelphia Inquirer: Carrie Rickey
A rollicking, mascara-smearing, intergenerational coed crowd-pleaser. Imagine "Sex and the City" negotiating "Terms of Endearment" with "The Golden Girls."Read Full Review »
75
ROLLING STONE: Peter Travers
It's Hanson's astute directing that makes the film's life lessons go down painlessly, turning the smartly entertaining In Her Shoes into a comfy fit for both sexes.Read Full Review »
70
The New York Times: Manohla Dargis
The joy of this unassuming, generous film is that it never sells out its characters' desires or ours.Read Full Review »
70
Village Voice: Laura Sinagra
The best moments belong to Shirley MacLaine, who makes the clipped script sing as Ella.Read Full Review »
67
ENTERTAINMENT WEEKLY: Lisa Schwarzbaum
Could it be that the director of "L.A. Confidential," "Wonder Boys," and "8 Mile" has been defeated by characters on a first-name basis with brisket, by women who, in Susannah Grant's screenplay, represent avatars of joyless workaholism and joyless sexaholism?Read Full Review »
63
Boston Globe: Ty Burr
Entertaining enough, but it's more pat than provocative -- this is what makes it a bona fide audience pleaser while keeping it from drawing real blood.Read Full Review »
50
ReelViews: James Berardinelli
Artificial in both its dialogue and its construction, the film only works - on those occasions when it works - because of the sincere performance by the underrated Toni Collette.Read Full Review »
40
Washington Post: Desson Thomson
There'd be nothing wrong with this if the film 'fessed up to its kitschy soul. Instead, it pretends to be the high-minded drama it's not.Read Full Review »
See all In Her Shoes reviews at metacritic.com »