Die Mommie Die

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Critics' Reviews

80
LOS ANGELES TIMES: Kevin Thomas
With his hilarious spoof Die Mommie Die! Charles Busch takes the melodramatic woman's picture of the '40s and '50s to delirious extremes.Read Full Review »
80
The New York Times: Stephen Holden
Makes a jolly absurdist stew out of its sources.Read Full Review »
80
Village Voice: Alexis Soloski
Though Natasha Lyonne as bratty daughter and Philip Baker Hall as the disposable spouse impress, it's Busch's heartfelt Joan Crawford homage that enthralls. Busch can transcend even the smog, making hazy camp seem fresh.Read Full Review »
75
Boston Globe: Wesley Morris
Busch combines French absurdist theater and American performance art with a drag queen's flamboyant wit.Read Full Review »
75
ROLLING STONE: Peter Travers
Hotly hilarious.Read Full Review »
70
Washington Post: Ann Hornaday
It succeeds, with a big, false-eyelashed wink.Read Full Review »
67
ENTERTAINMENT WEEKLY: Owen Gleiberman
Busch, looking like a depressed Stockard Channing, throws his tantrums with breathy ''aristocratic'' hauteur. Yet the movie winds up walking a line between put-on pastiche and kitsch passion, and Jason Priestley is perfect as a brooding lunkhead of Tab Hunter gigolo-osity.Read Full Review »
50
CHICAGO SUN-TIMES: Roger Ebert
The problem with Die, Mommie, Die, a drag send-up of the genre, is that it spoils the fun by making it obvious.Read Full Review »
30
Washington Post: Michael O'Sullivan
What's strangest, though, about Die Mommie Die! is how material that was obviously so giddily irreverent in origin became so inert, so joyless and dull.Read Full Review »
See all Die Mommie Die reviews at metacritic.com »