It's the film's glowing visual qualities, a striking performance by Denzel Washington and the elegant control Carl Franklin has over it all that create the most exotic crime entertainment of the season.Read Full Review »
100
ROLLING STONE: Peter Travers
Writer and director Carl Franklin ("One False Move") scores a triumph in using the brooding atmosphere and racial tension of the sun-kissed, seedy City of Angels to reveal character and reclaim a neglected past that ace cinematographer Tak Fujimoto brings to vivid life.Read Full Review »
90
Washington Post: Desson Thomson
Franklin's picture is effortlessly wise beneath its entertaining surface.Read Full Review »
90
Washington Post: Hal Hinson
Few films are more assured in their storytelling or build more forcefully, irrevocably toward their resolution.Read Full Review »
90
The New York Times: Janet Maslin
In the process of drawing audiences into the twists and turns of a knotty detective tale, Mr. Franklin and his cinematographer, Tak Fujimoto, open up an enticing and languorous lost world.Read Full Review »
80
Time: Richard Schickel
Writer-director Carl Franklin's cool, expert adaptation of Devil in a Blue Dress, Mosley's first novel, evokes the spirit of '40s film noir more effectively than any movie since Chinatown.Read Full Review »
75
ReelViews: James Berardinelli
Easy isn't much of an acting challenge, but Washington's mix of charm and intensity creates an appealing personae.Read Full Review »
75
CHICAGO SUN-TIMES: Roger Ebert
The movie is entertaining on its own terms, and Washington's warmth at the center of it is like our own bemusement, as together we return to the shadows of noir.Read Full Review »
70
NewsWeek: David Ansen
What stays with you finally is not the mystery's byzantine twists and turns, which are fun but don't resonate very deeply. It's the time, the place, the palpable feel of community. [2 Oct 1995, p.85]Read Full Review »
50
ENTERTAINMENT WEEKLY: Lisa Schwarzbaum
Everything is aces about this lineup's pedigree. But Devil never lets loose. It's a jazzy composition about sex, sleuthing, corruption, race, and cheap liquor that's a half step out of tune.Read Full Review »