Like its predecessor, the movie is a joyous celebration of extravagant pulp and post-Soviet kitsch, joyously trafficking in gore, loud cars, ladies' stilettos and excess for its own sake.Read Full Review »
75
Boston Globe: Wesley Morris
Anyone looking for sleek futuristic action and production design should keep walking.Read Full Review »
The worst thing Bekmambetov has picked up from his American models is the tendency of megasequels to aggrandize material grown enervated, to compensate for thinness by spreading out.Read Full Review »
50
The New York Times: Jeannette Catsoulis
Unfolding in a decrepit, present-day Moscow, Day Watch dazzles and confuses with equal determination.Read Full Review »