Goes where all too few films dare to venture these days -- into the heart of moral darkness.Read Full Review »
80
Washington Post: Michael O'Sullivan
Shelton's harrowing and compulsively watchable morality play.Read Full Review »
75
CHICAGO SUN-TIMES: Roger Ebert
Not a great movie, but it has moments that go off the meter and find visceral impact. The characters driving through the riot-torn streets of Los Angeles provide some of them, and the savage, self-hating irony of Russell's late dialogue provides the rest.Read Full Review »
75
ReelViews: James Berardinelli
Russell is the reason to go to the theater. He will continue to hold your attention when things around him -– like the storyline -– lose steam and credibility.Read Full Review »
This is ultimately a conversion melodrama, and a clumsy one. But until it goes to hell, it's thrillingly good, a fervid answer to the spate of cop movies that glorify brutality and sanction ends over means.Read Full Review »
63
Boston Globe: Ty Burr
In the end, the problem with movies like Dark Blue is that they willfully ignore the systemic, historical, cultural, and class causes of racism in favor of pinning it all on a few bad apples. Sure, that's entertainment. It's also a lie.Read Full Review »
63
USA Today: Mike Clark
There's at least one plot element too many here; let your own taste determine which one. Yet until it dissolves into conventional melodrama during a climactic fracas, this fast-paced story is never less than watchable.Read Full Review »