It's easy to understand why this was Herzog's final collaboration with the actor (reportedly the director afterward claimed that Kinski had "become uncontrollable") but Kinski's performance nevertheless serves up a potent confusion of documentary and fiction that has long been an essential element of Herzog's filmmaking.Read Full Review »
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The New York Times: A.O. Scott
Connoisseurs of craziness need wait no longer. Cobra Verde opens today in all its feral, baffling glory. Along with "Aguirre" and "Fitzcarraldo," Cobra Verde completes a trilogy of mayhem and megalomania in hot climates.Read Full Review »
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