From Marber's fiercely polished writing, Nichols wrings every drop of acid, yet it's a show of the director's goodness that a movie fundamentally preoccupied with interpersonal ugliness is allowed to end on a convincing note of beauty.Read Full Review »
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ROLLING STONE: Peter Travers
Mike Nichols' haunting, hypnotic Closer vibrates with eroticism, bruising laughs and dynamite performances from four attractive actors doing decidedly unattractive things.Read Full Review »
88
ReelViews: James Berardinelli
This is most definitely NOT a date movie. But if you appreciate films that are more substance than style, that take challenges and don't follow formulas, and that feature Oscar-caliber performances, Closer is not to be missed.Read Full Review »
80
Washington Post: Stephen Hunter
If you're the sort of person who laughs at funerals, train wrecks, earnest political documentaries and stories about the rape of nature, you'll love Closer.Read Full Review »
80
NewsWeek: Sean Smith
Here's a surprise: of the four actors in Closer, Clive Owen is the least famous, but he delivers the most memorable performance.Read Full Review »
75
Philadelphia Inquirer: Steven Rea
Closer, in the end, lacks a certain heft. The language and the actions of the characters are brutal and devastating. The movie itself, a little too nice.Read Full Review »
70
Village Voice: Dennis Lim
Closer casts a smugly amused eye on the human capacity for betrayal. But because it also seeks to congratulate its audience for its urbane unshockability, it never strays beyond the limits of middlebrow complacency.Read Full Review »
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ENTERTAINMENT WEEKLY: Lisa Schwarzbaum
The last thing Marber's quartet of modern miserables needs is to be admired; they are the very worst of average people, but on screen they have become the very best of the baddest.Read Full Review »