A roiling, boiling mix of blaxploitation, sexploitation, Tennessee Williams and the Tennessee outback.Read Full Review »
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USA Today: Claudia Puig
The best thing about Black Snake Moan, a song title, is the blues soundtrack. The movie is an absurdly jarring collection of archetypal characters in miserable circumstances with a resolution that feels forced and tacked on.Read Full Review »
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The New York Times: A.O. Scott
In spite of Amelia Vincent's toothsome cinematography and the down-home locations, the movie often has the lumbering, literal-minded rhythms of a second-rate stage play -- not a moan or a howl, but a slow, anxious groan.Read Full Review »
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Slate: Dana Stevens
Black Snake Moan morphs into a wacky intergenerational bonding movie, something closer to "Harold and Maude" or "The Karate Kid" with a dusting of Southern grit.Read Full Review »
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Village Voice: Rob Nelson
Black Snake Moan sho-nuff ain't no "Sweetback." Indeed, long stretches of Brewer's Suthun-fried sophomore slump come down the country road lookin' as haggard as a workaholic ho on a Sunday morning.Read Full Review »
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ENTERTAINMENT WEEKLY: Lisa Schwarzbaum
Be prepared to collapse into a hoot and a howl of hilarity at all the wrong moments.Read Full Review »
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Washington Post: Ann Hornaday
Parading through most of the movie in a cutoff T-shirt and bikini briefs, Ricci takes the stereotype of the oversexed farmer's daughter to gothic extremes; Jackson's character, named Lazarus, is similarly drawn with oversize strokes.Read Full Review »