Burt and Verona are two characters rarely seen in the movies: thirtysomething, educated, healthy, self-employed, gentle, thoughtful, whimsical, not neurotic and really truly in love.Read Full Review »
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ROLLING STONE: Peter Travers
Rudolph, a comic force on "SNL," can speak volumes with the tilt of an eyebrow. She and Krasinski, of "The Office," are absolutely extraordinary. Ditto the film, which sneaks up and floors you.Read Full Review »
75
Philadelphia Inquirer: Carrie Rickey
The unassuming performances by Krasinski and Rudolph help make this the first Mendes movie that feels lived-in rather than staged.Read Full Review »
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ReelViews: James Berardinelli
Away We Go is not as dramatically wrenching as "Revolutionary Road," but it's unquestionably more enjoyable.Read Full Review »
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ENTERTAINMENT WEEKLY: Owen Gleiberman
A gilded entry in the cinema du quirk. It's a movie that invites you, all too often, to feel superior to the people on screen.Read Full Review »
63
Boston Globe: Wesley Morris
In tone and plotting, Away We Go feels like a fairy tale built on an aggravating collection of attitudes. It's condescending, judgmental, righteous, yet sincerely searching.Read Full Review »
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LOS ANGELES TIMES: Kenneth Turan
A self-satisfied film about insecure people, a quirky and episodic comic drama that squanders its genuine assets and ends up not as special as it tries to be.Read Full Review »
40
Slate: Dana Stevens
Away We Go is like a disappointing term paper by a promising student.Read Full Review »