A genial and unremarkable comedy with its share of tepid laughs. It's a significantly weaker offering than its edgier, livelier older brother.Read Full Review »
60
LOS ANGELES TIMES: Manohla Dargis
Even when they don't always add up, these are movies in which De Niro can shrug off the burden of being Robert De Niro. Where the star who was Travis Bickle can again freely assume the part of the great character actor -- if only this time to ask, "You laughin' at me?"Read Full Review »
50
CHICAGO SUN-TIMES: Roger Ebert
What we get in Analyze That are several talented actors delivering their familiar screen personas in the service of an idiotic plot.Read Full Review »
50
ROLLING STONE: Peter Travers
The sequel, also directed by Harold Ramis, is painfully padded.Read Full Review »
50
Philadelphia Inquirer: Carrie Rickey
This is a movie that both parodies "The Sopranos" and aspires to its mordant humor. I don't think anyone -- not Tony Soprano, not Paul Vitti -- can have it both ways.Read Full Review »
50
Salon.com: Charles Taylor
The most surprising thing about the movie is the clumsiness of Harold Ramis' direction. Ramis has never equaled the work he did on "Groundhog Day."Read Full Review »
50
USA Today: Mike Clark
Though the picture falls apart whenever the two leads aren't on screen together, you can argue that That isn't that inferior to its predecessor.Read Full Review »
42
ENTERTAINMENT WEEKLY: Owen Gleiberman
It's not just that Tony Soprano is richer, darker, cooler, and scarier. The dude gets more laughs.Read Full Review »
30
The New York Times: Stephen Holden
Although there is the germ of a very sharp comedy in the intersection of real mobsters and make-believe thugs in a Hollywood mob comedy, Analyze That is far too lazy to do much with it.Read Full Review »
30
Washington Post: Stephen Hunter
Stuck in that no man's land between comedy and banal movie mob action, and it delivers on neither of these impulses with any force.Read Full Review »
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