| (Continued)
In the most recent "Casino Royale" film, the hubris of James Bond (Daniel Craig) costs him a high stakes game, and
nearly costs him his life. Every scene in the movie involves a bet, a bluff, or
a calculated risk. Whether the game is espionage, romance, the stock market, or
poker, the rules are basically the same: Outwit, outplay and outlast your
opponents.
In "Gilda," Glenn Ford's Johnny Farrell uses loaded dice and
sleight of hand to ensure that the odds are in his favor. He is befriended and
mentored by Ballin Mundson (George Macready), a club owner who encourages him to
use his "talents" in a casino of high class, and even higher stakes -- but who
warns him: "They won't let you in without a tie." Or, does he say, "They won't
let you win without a tie"? You can never quite be sure how the game is
fixed here.
Farrell is glib and cocky, but it isn't so much his pride that threatens to
destroy him as much as it is his wrath and lust for Gilda (Hayworth) -- the beguiling wench from his past who is
married to Mundson. For Farrell, perhaps there's a little envy and jealousy
thrown into the mixture -- both at Mundson, for "possessing" Gilda; and at
Gilda, for insinuating herself into their perfect partnership. Years before the
post-war, nuclear arms race gave birth to the term, Johnny and Gilda seem to
embody "mutually assured destruction." The question is: How much luck Johnny can
make all by himself?
And so, what Johnny Farrell maketh, Bernie Lootz (William H. Macy) taketh away. As the title character
in "The Cooler," Bernie is anything but "Mr. Cool." With his cheap,
rumpled suits; his limp, oily hair; and, a walk somewhere between a limp and a
shuffle, he is the ultimate loser. He has only to approach a craps or blackjack
table, or touch the rim of a roulette wheel, to turn even the hottest winning
streak as cold as a Chivas Regal on the rocks.
Bernie is accustomed to getting the fuzzy end of the lollipop. He's not a
proud man (he can hardly afford to be), or a greedy or envious man. He's a hard
worker. Then, when Lady Luck smiles upon him in the form of waitress Natalie
Belisario (Maria Bello), love turns the tables and slaps him
with a jinx. His cat comes back, he gets cream in his coffee and good fortune
threatens to make him unemployable. Suddenly, the old downtown Shangri-La casino
starts paying off, one jackpot after another. Bernie discovers it's almost like
being in luck.
Love trumps greed in Preston Sturges' "The Lady Eve" (1941), in which the father and daughter con team
of "Colonel" and Jean Harrington (Charles Coburn and Barbara Stanwyck) attempt to take advantage of
muddle-headed, Pike's Pale Ale heir and snake expert Charles Pike (Henry Fonda), who has just returned from a long
safari. The result is one of the funniest movies ever made, and at least one of
the greatest lines in all the movies: "You're certainly a funny girl for anybody
to meet who's just been up the Amazon for a year." Jean does her best to take
advantage of Charles, but she just can't do it, and falls in love with him.
In Paul Thomas Anderson's wonderful first feature, "Hard Eight," Sydney (Philip Baker Hall) teaches young,
down-and-out John Finnegan (John C. Reilly) about luck and life -- only Sydney's
lessons have nothing to do with superstition. In Reno he's a pro, mentoring John
in the ways of working the system -- and the odds -- to get the most for his
money. Like, how to keep changing money at the cashier's window to make it look
like you're spending enough to be offered a free hotel room.
As the central figure in Martin Scorsese's "Casino," Sam "Ace" Rothstein (Robert De Niro) gets into the Las Vegas casino
business not for the money but for the prestige, moving out west to become a big
man in a small, neon oasis. "Anywhere else in the country," Rothstein remembers,
"I was a bookie, a gambler, always looking over my shoulder, hassled by cops day
and night. But here, I'm 'Mr. Rothstein.' I'm not only legitimate, but running a
casino... Las Vegas washes away your sins. It's like a morality car wash. It
does for us what Lourdes does for humpbacks and cripples. And along with making
us legit comes cash. Tons of it."
But then, pride and lust -- in the form of comely call girl Ginger McKenna
(Sharon Stone) -- bring down Ace's empire, just as the
corporations demolish the grand old casinos like the Stardust, the Fremont and
the mythical Shangri-La in "The Cooler" -- far removed from the sanitized glitz
of the Strip.
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