Skitter Skitter: Is That Kids' Movie Too
Scary for Kids?
By Martha Brockenbrough
MSN Cinemama
The first time I watched one of my favorite kids' movies, "My Neighbor Totoro," I kept waiting
for it: that scary moment ... the upsetting image ... the hideous
injury -- in short, for something awful to happen. For the duration
of the movie, I sat on the edge of my seat, bracing myself.
The moment never came.
While there is a brief scare that the little sister has drowned
in a lake, "Totoro" is a gentle and lovely tale about two sisters
who meet a friendly monster. They ride a psychedelic cat bus to go
visit their hospitalized mother, who appears to be recovering
nicely. That's it, more or less. It's utterly charming, and a movie
I recommend time and time again to families.
I thought about this recently when my husband mentioned his first
viewing of "Curious George."
"I kept waiting for something scary or bad to happen," he said.
"It never did."
What kind of media environment are we living in when we expect
moments of terror in children's movies? Yikes.
Media violence gets lots of attention, as it should. Since 1950,
there have been more than 1,000 studies showing that kids who see a
lot of violence on TV are more likely to act and think aggressively.
Think this isn't your kid? Think again. The average child has
seen more than 200,000 violent acts on-screen by the age of 18 --
40,000 of which are murders. Even if your little Buckminster is
below average, and perhaps has watched just a quarter of the
television and movies of his peers, 10,000 murders is still a lot to
take in.
But I think the potential of movies to scare kids is underrated,
and maybe even dangerously so. Though there aren't anywhere near as
many studies on this, one from 1999 showed that 90 percent of
college students reported being really scared by something they
watched during childhood or adolescence. Of those, 26 percent were
still experiencing the effects.
These effects aren't trivial. They range from months' worth of
insomnia to "steadfast and continuing avoidance of the situations
portrayed in the programs and movies."
Let this sink in a moment. Because of something they saw as
children, about one quarter of college students still suffer the
effects.
It's astounding. If consuming a food or beverage one time could
cause such long-term negative effects, we'd want it banned.
And here's the thing. We all know kids scare easily.
Every parent has been woken up at some point by a child who's had a
nightmare. The monster-under-the-bed/in-the-closet story remains an
archetype of kids' literature. Even clowns, that birthday-party
staple, have been found in a British study to be frequently scary
for kids.
It's a wonder to think that no one has yet conceived a study on
the terror capacity of Santa, who not only dresses in big boots and
a blood-red suit, but also somehow knows when you've been sleeping,
when you're awake, and whether you've been bad or good. Stalker! In
all seriousness, though, do you know any kid who doesn't have at
least one screaming Santa picture?
The truth is that most adults are incredibly insensitive to
what's scary to children. We sometimes even find their fear cute.
This could be because we don't want to think about our kids'
suffering. We just want to solve the problem.
Or, it could also be that we've got our coping strategies down.
We know what we're seeing on-screen isn't real, and isn't likely to
happen in real life. Even when we reassure them verbally, kids don't
necessarily have that skill, and have to rely on covering their eyes
or getting a hug from a grown-up.
Even with these strategies, though, our bodies appear to
experience the same reactions that they'd endure in real-life
traumatic situations, this study and others have reported. No matter
how many times you tell yourself, "It's only a movie," your body
isn't buying it. Neither is your child's. It's one thing to feed
yourself the cinematic equivalent of an unhealthy meal. It's another
thing to do it to your child's growing body.
Put another way, if you wouldn't want them to experience
something traumatic in real life, then don't let them experience it
on the screen, lest you invite some of that same psychological
damage in through the side door.
Hollywood doesn't make this easy for us. Obviously, kids are
going to be freaked out by "Saw IV" or "Sweeney Todd: The Demon Barber of Fleet
Street." Only a really dim parent would take a young child to
one of those.
But even quality movies meant for all viewers, such as "Finding Nemo," are marred by scary
images that added absolutely nothing to an otherwise great film. I'm
thinking here of the scene where the scuba-diving dentist rears his
giant head on-screen for the first time. I'm sure this made for a
dynamic storyboard. But whoever came up with the idea should be
forced to watch this G-rated movie with a 4-year-old. Many a parent
I know spent the rest of the movie in the multiplex bathroom,
consoling a screaming child.
This scene was most likely accidental judgment lapse. Other
movies, however, have been made scary on purpose. A recent offender
is "The Water Horse," an adaptation of the
book by Dick King-Smith.
The book, meant for beginning readers, is about an 8-year-old
girl who finds a mysterious egg by the shore and hatches it in the
bathtub. The story has no villain, no suspense, no moments of great
drama. It's a cozy tale by a former farmer, the author of the book
that inspired "Babe."
For some reason, though, the movie changes the focus to the
brother, makes him deathly afraid of the water, then has the egg
hatch in a dark toolshed, where the monster skitters around just
like the freshly hatched creature in "Alien." It's full of tense and creepy
sound effects, and visuals straight from the Horror Movie 101
production manual.
Even parents who'd checked the rating and read the book
beforehand couldn't anticipate these over-the-top effects. While
it's true that the movie is rated PG (for some action/peril, mild
language and brief smoking), there's nothing in the source material
or rating that suggests the kiddies will be subjected to horror
effects, a psycho-looking hunter, and an extended torpedo campaign.
I talked with Margit Crane, a child development specialist and
founder of Rock the World Coaching, to get some
real parental guidance about what level of stimulation at the movies
is healthy for kids.
She had a great point. When kids are watching a movie that's too
much for them, they cry, squirm, talk and walk around. This ruins
the movie for others, but it's a clue to something else. "It means
your kid is uncomfortable with the situation," she said.
Children's nervous systems aren't yet fully developed. The giant
images and booming audio systems that make movies exciting for
adults can be way too much for kids.
"It's an adrenal [system] assault akin to [the] potential impact
of feeding your child a supersized fast food meal with a beer
chaser," she said.
Crane wrote a blog entry after seeing youngsters at "Pirates of the Caribbean: At World's
End" this past summer.
"While parents may think that their kids can handle the situation
'because they see this stuff all the time,' if they would take some
time to think about it they might notice an increase in nightmares
or anxiety or a feeling of mania or exhaustion after seeing the
movie ... if your children come out of a movie theater jumping
around or dragging their feet it means ... the movie overwhelmed
them. Overwhelming kids is not a good thing!!!"
It's almost as though Hollywood thinks these elements are
necessary to get people into the theater. But the scary effects of
"The Water Horse" seem to have backfired. Nearly a month after its
opening, it failed to break the $40 million mark at the U.S. box
office. It'll never become a classic, despite a fine cast. The
scare-free and utterly mediocre "Alvin and the Chipmunks," meanwhile,
has made almost $200 million in the United States alone.
Maybe what that really tells us is that the world is a scary
enough place for kids. We want stories that make them laugh. We want
stories that make them think. We want stories that show them what's
possible -- in the best sense -- when people (and the occasional
fuzzy animal) behave with courage and integrity.
But scariness? There's time for that later. Especially during a
presidential election year.
---
Martha Brockenbrough is author of "It Could Happen to You:
Diary of a Pregnancy and Beyond." She's also founder of SPOGG, the
Society for the Promotion of Good Grammar. She writes a
fun-with-kids column for Cranium.com, as well as an educational
humor column for Encarta. Check out her Web site.
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