Orlando Bloom began reading J.R.R.
Tolkien's The Lord of the Rings trilogy as a teenager before abandoning the
books in favor of sports and girls. He did not complete the three volumes until
his early twenties: first in print, and then on camera as one of a handful of
actors carefully selected for New Line Cinema's highly anticipated, $270
million, three-film screen adaptation of Tolkien's The Lord of the Rings. The
international success of the trilogy's first installment, The Fellowship of the
Ring (2001), made Bloom a sought-after young actor. The talented Brit works the
talk show circuit, mugs in magazines, and appears at every important award show
-- always with a playful demeanor and an uncorrupted smile that suggest he could
still be just as easily fulfilled by rugby and romance.
Bloom was raised in Canterbury, Kent, with his sister, Samantha. Their mother
taught them to enjoy the arts and encouraged them to participate in the local
Kent Festival. Bloom began by reciting poetry and prose, displaying an advanced
sensitivity to tone and modulation. Yet, it wasn't this precociousness or his
frequent trips to the theater that influenced Bloom to become a professional
actor. He was in awe of larger-than-life characters -- from Superman to the
members of the A-Team -- and knew the only way to become one was to play one on
the screen.
At 16, Bloom relocated to London and performed with the National Youth
Theatre for two seasons before winning a scholarship to train with the British
American Drama Academy. At the conclusion of his term with the group, he played
the lead in A Walk in the Vienna Woods, and secured an agent. This led to small
roles on British television and an appearance in Brian Gilbert's Wilde (1997). Wishing to further his
education, Bloom then enrolled at London's prestigious Guildhall School of Music
and Drama (the alma mater of Ewan McGregor, Joseph Fiennes, and Ben Chaplin, among others). There, he
acted in several plays, including Shakespeare's Twelfth Night, Chekov's Three
Sisters, and Sophocles' Antigone.
While still in school, Bloom was trying to make it onto a friend's rooftop
terrace when he fell three stories and broke his back. The accident almost
paralyzed the actor, but surgery let him walk out of the hospital on crutches.
Soon afterward, all his peers auditioned for coveted roles in the upcoming The Lord of the Rings trilogy. The
extensive and selective casting process took place in every English-speaking
country. Bloom good-naturedly tried out for the role of Faramir, a character
introduced in the second film, The Two Towers (2002). After meeting with the
project's director, Peter Jackson, Bloom was not cast as
Faramir. Instead, Jackson asked that he read for the part of Legolas Greenleaf,
a much more prominent figure who is featured in all three films. The director
offered Bloom the role a few weeks later, only two days before the burgeoning
star graduated from drama school.
Legolas, Tolkien's warrior elf, has super-human strength, swift reflexes, and
heightened sensory awareness. To play him, Bloom trained in archery, swordplay,
and horseback riding for two months prior to shooting. He developed a graceful
style of combat based on the characters in Akira Kurosawa's The Seven Samurai and worked to manage
his posture, poise, and composure. As Legolas, Bloom is immortal, and at 2,931
years old, is a tall, athletic, and skilled fighter of evil -- he truly is
larger than life.
After finishing The Lord of the Rings -- all three films,
The Fellowship of the Ring, The Two Towers, and The Return of the King, were shot
simultaneously over 18 months in New Zealand -- Bloom headed to Morocco for a
role in Ridley Scott's Black Hawk Down. The film chronicles the
horrific Battle of Mogadishu in 1993, in which a "simple" mission left 18 U.S.
soldiers dead and 73 wounded. Debuting his American accent, Bloom plays a
neophyte ranger who breaks his back after falling 70 feet from a helicopter.
This combat film opened only a few weeks after The Fellowship of the Ring and
received equal acclaim.
Following these blockbusters, Bloom performed in several quirky films with
limited releases such as Lullaby of Clubland (2001). But it wouldn't be long
before Bloom was blowing up the box-office once again with the 2003
crowd-pleaser The Pirates of the Carribean: The Curse of the Black Pearl. Bloom
showed up opposite Brad Pitt and Black Hawk Down co-star Eric Bana in the 2004
historical epic Troy, his intense star-power was unquestionable.
Bloom faced a down year in 2005, failing to match the box office success of
Troy with Ridley Scott's Kingdom of Heaven. That
same year he stepped into the role once occupied by Ashton Kutcher in Cameron
Crowe's Elizabethtown (a romantic comedy opposite screen heartthrob Kirsten
Dunst), but the film never recovered from the bad press it received after its
initial film festival screening, failed to find an audience in theaters, and was
unpopular with critics. Bloom rebounded one year later by returning with the
other principles in back-to-back filmed sequels for Pirates of the Caribbean,
the first of which, Pirates of the Caribbean: Dead Man's Chest, shattered box
office records for opening day and opening weekend, and became the first film to
take in one hundred million dollars in just two days. It will hardly strike one
as prescient, then, that industry insiders and the trades were advance prepping
Pirates of the Caribbean 3: At World's End as one of the most lucrative releases
of 2007, possibly of any year. That installment finds Bloom's Will Turner,
Knightley's Elizabeth Swann, and Geoffrey Rush's Captain Barbosa setting out to
rescue Captain Jack Sparrow from the mental tortures of Davy Jones's Locker, and
ultimately battling Pirate Sao-Feng (Chow Yun-Fat) beyond the literal end of the
world, where the seas fall off into an empty void.
In the mean time, however, Bloom shifted gears, turning away from epic action
and giving romantic comedy a sophomore try after the lackluster Elizabethtown.
Bloom essayed a small supporting role in the Alex Keshishian-directed Love and
Other Disasters (2006), about a fashion editor for Vogue Paris (Brittany Murphy)
who attempts to play matchmaker between two gay men (Matthew Rhys, Santiago
Cabrera). ~ Aubry Anne D'Arminio, All Movie Guide